000 | 03614cam a2200397Ii 4500 | ||
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001 | ocn705263681 | ||
003 | OCoLC | ||
005 | 20240726105457.0 | ||
008 | 110302s2010 oncabcf ob 011 0deng d | ||
040 |
_aYDXCP _beng _erda _cYDXCP _dIUL _dCELBN _dE7B _dOCLCQ _dJSTOR _dNT |
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016 | _z20109023943 (print) | ||
020 |
_a9781442687110 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk. |
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041 | 0 |
_aeng _afre |
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050 | 0 | 4 |
_aN6797 _b.B535 2010 |
049 | _aNTA | ||
245 | 1 | 0 |
_aBlake in our time _bessays in honour of G.E. Bentley Jr / _cedited by Karen Mulhallen. |
260 |
_aToronto ; _aBuffalo, NY : _bUniversity of Toronto Press, _c(c)2010. |
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300 |
_a1 online resource (xvi, 300 pages, 16. pages of plates) : _billustrations (some color), facsimiles, genealogical table, map, portrait. |
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336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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530 |
_a2 _ub |
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504 | _a2 | ||
505 | 0 | 0 |
_aCollecting Blake / _rRobert N. Essick -- _tTwo Fake Blakes Revisited; One Dew-Smith Revealed / _rJoseph Viscomi -- _tBlake's Painting Materials, Technical Art History, and the Legacy of G.E. Bentley Jr. / _rJoyce H. Townsend and Bronwyn A. Ormsby -- _tNew Light on the Mathews: Flaxman and Blake's Early Gothicism / _rDavid Bindman -- _t'a Lady's Book': Blake's Engravings for Hayley's The Triumphs of Temper / _rMark Crosby -- _tMore on Blake's (and Bentley's) 'White Collar Maecenas': Thomas Butts, His Wife's Family of Artisans, and the Methodist Withams of St Bartholomew the Great / _rMary Lynn Johnson -- _t'Went to see Blake -- _talso to Surgeons college': Blake and George Cumberland's Pocketbooks / _rAngus Whitehead -- _tGeorge Richmond, Blake's True Heir? / _rMartin Butlin -- _tWilliam Blake and Chichester / _rMorton D. Paley -- _tWilliam Blake and the Straw Paper Manufactory at Millbank / _rKeri Davies -- _tWlliam Blake in Toronto: The Bentley Collection at Victoria University Library / _rRobert Brandeis. |
520 | 0 | _a"Blake in Our Time explores the work of British poet and artist William Blake in the context of the material culture of his era. In the 1960s, University of Toronto scholar G.E. Bentley, Jr almost singlehandedly shifted the focus of Blake criticism from formalism and symbolism to the materiality that contextualizes Blake's work. | |
520 | 0 | _aFollowing in the footsteps of Bentley's pioneering scholarship, this collection, richly illustrated, demonstrates that the locus of Blake's work lies in the elements that are historically particular to his place and time. Topics include the impact of the town of Chichester on Blake's imagination, the material processes of Blake's painting, the detection of a Blake forgery, and new biographical materials, using archives and online resources, on Blake's contemporaries, patrons, peers, and friends. Essays on the importance of Blake collections world-wide, on variant printings, and on the heirs of Blake in British painting extend the focus of this remarkable investigation to include chalcography and book history."--Pub. desc. | |
655 | 1 | _aElectronic Books. | |
700 | 1 |
_aBentley, G. E. _d1930- |
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700 | 1 | _aMulhallen, Karen. | |
700 | 1 | _q(Gerald Eades), | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682713&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hN. _mc2010 _QOL _R _x _8NFIC _2LOC |
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_a02 _bNT |
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_c101551 _d101551 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |