000			02916cam a2200433Ii 4500
001			ocn705263679
003			OCoLC
005			20240726105456.0
008			110302s2010 oncac ob 001 0deng d
040			_aYDXCP _beng _erda _cYDXCP _dIUL _dCELBN _dE7B _dOCLCQ _dREDDC _dOCLCQ _dJSTOR _dNT
016			_z20109003705 (print)
020			_a9781442685765 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
041	0		_aeng _aita
043			_ae-it---
050	0	4	_aNK6652 _b.A766 2010
049			_aNTA
100	1		_aSpringer, Carolyn. _e1
245	1	0	_aArmour and masculinity in the Italian RenaissanceCarolyn Springer.
260			_aToronto ; _aBuffalo : _bUniversity of Toronto Press, _c(c)2010.
300			_a1 online resource (xii, 241 pages) : _billustrations, portraits.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aToronto Italian studies
504			_a2
530			_a2 _ub
505	0	0	_aThe classical body: the Poetics of the Bella Fiqura -- _tThe sacred body: the armour of sacrifice -- _tThe grotesque body: tropes and apotropes -- _tGuidobaldo II della Rovere (1514-74) -- _tCharles V Habsburg (1500-58) -- _tCosimo I de' Medici (1519-74).
520	0		_a"During the Italian Wars of 1494 to 1559, with innovations in military technology and tactics, armour began to disappear from the battlefield. Yet as field armour was retired, parade and ceremonial armour grew increasingly flamboyant. Displaced from its utilitarian function of defense but retained for symbolic uses, armour evolved in a new direction as a medium of artistic expression.
520	0		_aLuxury armour became a chief accessory in the performance of elite male identity, coded with messages regarding the owner's social status, genealogy, and political alliances. Carolyn Springer decodes Renaissance armour as three-dimensional portraits through the case studies of three patrons of luxury armourers, Guidobaldo II della Rovere (1514-75), Charles V Habsburg (1500-58 and Holy Roman Emperor from 1519-56), and Cosimo I de'Medici (1519-74). A fascinating exposition of male self-representation, Armour and Masculinity in the Italian Renaissance explores the significance of armour in early modern Italy as both cultural artefact and symbolic form."--Pub. desc.
650		0	_aArmor, Renaissance _xSocial aspects _zItaly.
650		0	_aMasculinity _zItaly _xHistory.
650		0	_aArmor in art.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682660&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hNK. _mc2010 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c101507 _d101507
902			_a1 _bCynthia Snell _c1 _dCynthia Snell