000			03668cam a2200421Ii 4500
001			ocn841909788
003			OCoLC
005			20240726105456.0
008			130506t20132013onca ob 101 0 eng d
040			_aYDXCP _beng _epn _erda _cYDXCP _dOCLCO _dCELBN _dCCO _dE7B _dJSTOR _dIUL _dNT _dOCLCF _dOCL _dOCLCQ _dEBLCP _dOCL _dOCLCQ _dAGLDB _dOCLCA _dCNKUC _dVGM _dOCLCQ _dIOG _dCUS _dOCLCA _dVTS _dINT _dREC _dOCLCQ _dYOU _dS9I _dM8D _dOCLCQ _dWAU _dVLY _dOCLCO
016			_z20129081450 (print)
020			_a9781442685857 _q((electronic)l(electronic)ctronic)
020			_a9781442669512 _q((electronic)l(electronic)ctronic)
045	0		_av-v-
050	0	4	_aNX650 _b.S778 2013
049			_aMAIN
245	1	0	_aStructures of feeling in seventeenth-century cultural expression /edited by Susan McClary.
260			_aToronto : _bPublished by the University of Toronto Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library, _c(c)2013.
300			_a1 online resource (xiii, 382 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aUCLA Center Clark Library series ; _v14
500			_aEssays based on papers presented at four international conferences held at the UCLA Clark Library, 2005.
504			_a2
505	0	0	_tIntroduction: On Bodies, Affects, and Cultural Identities in the Seventeenth Century / _rSusan Mc Clary -- _tThe Science of Affect -- _tDisciplining Feeling: The Seventeenth-Century Idea of a Mathematical Theory of the Emotions / _rDaniel Garber; -- _tClockwork or Musical Instrument? Some English Theories of Mind-Body Interaction before and after Descartes / _rPenelope Gouk; -- _tThe Sound World of Father Mersenne / _rThomas Christensen -- _tColonial Extensions -- _t"Voluntary Subjection": France's Theory of Colonization/ Culture in the Seventeenth Century / _rSara E. Melzer; -- _tFear of Singing: (Episodes from Early Latin America) / _rGary Tomlinson; -- _tThe Illicit Voice of Prophecy / _rOlivia Bloechl -- _tThe Politics of Opera -- _tDaphne's Dilemma: Desire as Metamorphosis in Early Modern Opera / _rWendy Heller; -- _tA Viceroy behind the Scenes: Opera, Production, Politics, and Financing in 1680s Naples / _rLouise K. Stein -- _tBaroque Bodies -- _tCrashaw and the Metaphysical Shudder; Or, How to Do Things with Tears / _rRichard Rambuss; -- _t"Law's Bloody Inflictions": Judicial Wounding and Resistance in Seventeenth-Century England / _rSarah Covington; -- _tExcursions to See "Monsters": Odd Bodies and Itineraries of Knowledge in the Seventeenth Century / _rKathryn A. Hoffmann -- _tToward a History of Time and Subjectivity -- _tTemporality and Ideology: Qualities of Motion in Seventeenth-Century French Music / _rSusan McClary; -- _tTemporal Interventions: Music, Modernity, and the Presentation of the Self / _rRichard Leppert.
520	0		_aStructures of Feeling in Seventeenth-Century Cultural Expression explores how artists made use of various cultural forms --
530			_a2 _ub
655		1	_aElectronic Books.
700	1		_aWilliam Andrews Clark Memorial Library, _ehost institution.
700	1		_aUniversity of California, Los Angeles. _eco-publisher.
700	1		_aMcClary, Susan, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682621&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hNX. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c101471 _d101471
902			_a1 _bCynthia Snell _c1 _dCynthia Snell