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001 ocn655664579
003 OCoLC
005 20240726105453.0
008 100812t19941994onc ob 001 0 eng d
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016 _z949301663
016 _z949301663 (print)
020 _a9781442678132
_q((electronic)l(electronic)ctronic)
027 _aDESLIB_CEL
042 _adlr
043 _ae-uk---
045 _au-u-
050 0 4 _aB1131
_b.O754 1994
049 _aMAIN
100 1 _aSnider, Alvin Martin,
_d1954-
_e1
245 1 0 _aOrigin and authority in seventeenth-century England :
_bBacon, Milton, Butler /
_cAlvin Snider.
260 _aToronto ;
_aBuffalo :
_bUniversity of Toronto Press,
_c(c)1994.
300 _a1 online resource (viii, 286 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a2
505 0 0 _aIntroduction : origin, error, ideology --
_tPart One. Francis Bacon : Organon and origin. 1. 'Pure and uncorrupted natural knowledge' --
_t2. Writing error in the Novum Organum --
_t3. Authorizing aphorism --
_t4. Legitimation and the origin of restoration science --
_tPart Two. Seeing double in Paradise Lost. 5. Beginning late --
_t6. Who himself beginning knew? --
_t7. The figure in the mirror --
_tPart Three. Butler's Hudibras : The post-epic condition. 8. 'As Aeneas bore his sire' --
_t9. Metaphysick wit --
_t10. A Babylonish dialect --
_t11. By equivocation swear.
520 0 _aFrancis Bacon, John Milton, and Samuel Butler are three writers generally thought to have little in common. Yet, as Alvin Snider argues, all participated in the seventeenth-century discourse on origins. They believed that the truth of an idea could be determined by enquiry into its genesis, and looked for authority in rudimentary and incorrupt principles. Bacon wanted to rebuild knowledge from its foundations; Milton invoked a distant past to secure a base for the present; and Butler expressed intense nostalgia for a fixed truth associated with origins. Focusing on writings by these three figures, Snider shows how an authoritative discourse on origin became an alternative to error in a time of revolution and cultural transformation, and traces its gradual disintegration as the difficulty of locating origins became increasingly evident. Snider concentrates on three texts: Bacon's Novum Organum, Milton's Paradise Lost, and Butler's Hudibras. He treats the concept of a definitive origin not just as a literary or historical tope but as a complex system of representation that informs the poetry, philosophy, and other writings of the period. Drawing on theories of ideology and attending carefully to the role of language in the production and construction of knowledge, Snider shows how Bacon's desire to abolish error through a systematic renovation of authority contributed to the formation of an ideal of scientific objectivity. He argues that the quest for an absolute beginning in Paradise Lost foregrounds the problems of representation and of making experience a reliable index of truth. Moving from the emergence of modern science early in the century to the revival of epic and monarchy after the Restoration, he considers texts from a range of disciplines. Writing with economy, clarity, and verve, Snider revises the intellectual history of the seventeenth century, superimposing a new narrative of disintegrating confidence on the old one of the triumph of science over poetry.
530 _a2
_ub
538 _aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
_uhttp://purl.oclc.org/DLF/benchrepro0212
_5MiAaHDL
583 1 _adigitized
_c2010
_hHathiTrust Digital Library
_lcommitted to preserve
_2pda
_5MiAaHDL
650 0 _aPhilosophy-Ancient
653 0 _aEnglish literature
_aRelated to
_aPhilosophy
655 1 _aElectronic Books.
690 _aPhilosophy-Ancient
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682308&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
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_m1994
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994 _a92
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999 _c101317
_d101317
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell