| 000 | 03147cam a2200481Mi 4500 | ||
|---|---|---|---|
| 001 | ocn732957097 | ||
| 005 | 20240726105450.0 | ||
| 008 | 101016s2011 nyu ob 001 0deng d | ||
| 010 | _a2010044422 | ||
| 040 |
_aE7B _beng _epn _erda _cE7B _dYDXCP _dOCLCQ _dOCLCO _dOCLCQ _dDKDLA _dJSTOR _dNT _dP@U _dOCLCQ _dOCLCO _dOCLCF _dCOO _dEBLCP _dOCLCQ _dOCL _dOCLCQ _dAZK _dNT _dLOA _dYDX _dJBG _dAGLDB _dMOR _dPIFAG _dZCU _dMERUC _dOCLCQ _dIOG _dOCLCO _dDEGRU _dU3W _dEZ9 _dSTF _dWRM _dVTS _dICG _dINT _dVT2 _dREC _dAU@ _dOCLCQ _dOCLCO _dWYU _dLVT _dTKN _dDKC |
||
| 020 |
_a9780801460944 _q((electronic)l(electronic)ctronic) |
||
| 020 |
_a9780801449468 _q((electronic)l(electronic)ctronic) |
||
| 029 | 1 |
_aAU@ _b000053280432 |
|
| 029 | 1 |
_aAU@ _b000062357018 |
|
| 029 | 1 |
_aCHNEW _b000721552 |
|
| 029 | 1 |
_aDEBBG _bBV043055772 |
|
| 029 | 1 |
_aDEBBG _bBV044097554 |
|
| 029 | 1 |
_aDEBSZ _b446421340 |
|
| 029 | 1 |
_aGBVCP _b1003672094 |
|
| 043 |
_an-us--- _aap----- _aa-iq--- |
||
| 050 | 0 | 4 |
_aDS79 _b.W453 2011 |
| 100 | 1 |
_aPeebles, Stacey L. _q(Stacey Lyn), _d1976- _e1 |
|
| 245 | 1 | 0 |
_aWelcome to the suck : _bnarrating the American soldier's experience in Iraq / _cStacey Peebles. |
| 260 |
_aIthaca [N.Y. : _bCornell University Press, _c(c)2011. |
||
| 300 | _a1 online resource (viii, 192 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_adata file _2rda |
||
| 504 | _a2 | ||
| 505 | 0 | 0 |
_aLines of sight : watching war in Jarhead and My war, killing time in Iraq -- _tMaking a military man : Iraq, gender, and the failure of the masculine collective -- _tConsuming the other : blinding absence in The last true story I'll ever tell and Here, bullet -- _tOne of U.S. : combat trauma on film in Alive day memories and In the valley of Elah. |
| 520 | 0 | _a"Stacey Peebles examines the growing body of contemporary war stories in prose, poetry, and film that speak to the American soldier's experience in the Persian Gulf War and the Iraq War. Stories about war always encompass ideas about initiation, masculinity, cross-cultural encounters, and trauma. Peebles show us how these timeless themes find new expression among a generation of soldiers who have grown up in an era when it has been more acceptable than ever before to challenge cultural and societal norms, and who now have unprecedented and immediate access to the world away from the battlefield through new media and technology"--Jacket. | |
| 530 |
_a2 _ub |
||
| 650 | 0 |
_aPersian Gulf War, 1991 _vPersonal narratives, American. |
|
| 650 | 0 |
_aIraq War, 2003-2011 _vPersonal narratives, American. |
|
| 650 | 0 |
_aPersian Gulf War, 1991 _xLiterature and the war. |
|
| 650 | 0 |
_aIraq War, 2003-2011 _xLiterature and the war. |
|
| 650 | 0 |
_aIraq War, 2003-2011 _xMotion pictures and the war. |
|
| 655 | 1 | _aElectronic Books. | |
| 856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=673736&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 |
_cOB _D _eEB _hDS. _m2011 _QOL _R _x _8NFIC _2LOC |
||
| 999 |
_c101159 _d101159 |
||
| 902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |
||