000			05415cam a2200541Mi 4500
001			ocn726824335
005			20240726105450.0
008			080905s2009 nyu ob 001 0 eng d
040			_aE7B _beng _epn _erda _cE7B _dOCLCQ _dJSTOR _dOCLCE _dYDXCP _dNT _dOCLCF _dP@U _dOCLCQ _dOCLCO _dOCL _dIDEBK _dCOO _dOCLCO _dEBLCP _dOCLCQ _dOCLCO _dOCLCQ _dOCL _dAZK _dOCLCO _dAGLDB _dMOR _dOCLCO _dPIFAG _dZCU _dOCLCQ _dMERUC _dOCLCQ _dIOG _dDEGRU _dEZ9 _dVTS _dICG _dOCLCA _dU3W _dSTF _dWRM _dINT _dVT2 _dREC _dOCLCQ _dLVT
020			_a9780801458521 _q((electronic)l(electronic)ctronic)
029	1		_aAU@ _b000053269045
029	1		_aAU@ _b000062356829
029	1		_aDEBBG _bBV043116985
029	1		_aDEBBG _bBV044097492
029	1		_aDEBSZ _b421231890
029	1		_aGBVCP _b1003670105
029	1		_aGBVCP _b88288896X
029	1		_aHEBIS _b268221804
029	1		_aNZ1 _b13871122
042			_adlr
043			_an-us---
050	0	4	_aPS153 _b.G464 2009
100	1		_aDouglas, Christopher, _d1968- _e1
245	1	0	_aA genealogy of literary multiculturalism /Christopher Douglas.
260			_aIthaca : _bCornell University Press, _c(c)2009.
300			_a1 online resource (vii, 372 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aZora Neale Hurston, D'Arcy McNickle, and the culture of anthropology -- _tRichard Wright, Robert Park, and the literature of sociology -- _tJade Snow Wong, Ralph Ellison, and desegregation -- _tJohn Okada and the sociology of internment -- _tAmérico Paredes and the folklore of the border -- _tToni Morrison, Frank Chin, and cultural nationalisms, 1965-1975 -- _tN. Scott Momaday : blood and identity -- _tIshmael Reed and the search for survivals -- _tGloria Anzaldúa, Aztlán, and Aztec survivals -- _tConclusion : the multicultural complex and the incoherence of literary multiculturalism.
530			_a2 _ub
538			_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL
583	1		_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL
520	0		_aAs an anthropology student studying with Franz Boas, Zora Neale Hurston recorded African American folklore in rural central Florida, studied hoodoo in New Orleans and voodoo in Haiti, talked with the last ex-slave to survive the Middle Passage, and collected music from Jamaica. Her ethnographic work would serve as the basis for her novels and other writings in which she shaped a vision of African American Southern rural folk culture articulated through an antiracist concept of culture championed by Boas: culture as plural, relative, and long-lived. Meanwhile, a very different antiracist model of culture learned from Robert Park's sociology allowed Richard Wright to imagine African American culture in terms of severed traditions, marginal consciousness, and generation gaps. In A Genealogy of Literary Multiculturalism, Christopher Douglas uncovers the largely unacknowledged role played by ideas from sociology and anthropology in nourishing the politics and forms of minority writers from diverse backgrounds. Douglas divides the history of multicultural writing in the United States into three periods. The first, which spans the 1920s and 1930s, features minority writers such as Hurston and D'Arcy McNickle, who were indebted to the work of Boas and his attempts to detach culture from race. The second period, from 1940 to the mid-1960s, was a time of assimilation and integration, as seen in the work of authors such as Richard Wright, Jade Snow Wong, John Okada, and Ralph Ellison, who were influenced by currents in sociological thought. The third period focuses on the writers we associate with contemporary literary multiculturalism, including Toni Morrison, N. Scott Momaday, Frank Chin, Ishmael Reed, and Gloria Anzaldúa. Douglas shows that these more recent writers advocated a literary nationalism that was based on a modified Boasian anthropology and that laid the pluralist grounds for our current conception of literary multiculturalism. Ultimately, Douglas's "unified field theory" of multicultural literature brings together divergent African American, Asian American, Mexican American, and Native American literary traditions into one story: of how we moved from thinking about groups as races to thinking about groups as cultures-and then back again.
650		0	_aAmerican literature _xMinority authors _xHistory and criticism.
650		0	_aAmerican literature _y20th century _xHistory and criticism.
650		0	_aMulticulturalism in literature.
650		0	_aMinorities in literature.
650		0	_aLiterature and anthropology _zUnited States _xHistory _y20th century.
650		0	_aMulticulturalism _zUnited States _xHistory _y20th century.
650		0	_aAnthropology _zUnited States _xHistory _y20th century.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=673714&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPS. _m2009 _QOL _R _x _8NFIC _2LOC
999			_c101140 _d101140
902			_a1 _bCynthia Snell _c1 _dCynthia Snell