000			03695cam a2200445Mi 4500
001			ocn742515533
005			20240726105448.0
008			101214s2011 nyua ob 001 0 eng d
010			_a2010052646
040			_aE7B _beng _epn _erda _cE7B _dOCLCQ _dOCLCO _dYDXCP _dOCLCQ _dCNMTR _dJSTOR _dNT _dOCLCF _dCOO _dOCLCO _dOCLCQ _dOCL _dEBLCP _dOCLCQ _dOCLCO _dP@U _dOCLCQ _dAZK _dLOA _dYDX _dIDEBK _dAGLDB _dMOR _dPIFAG _dZCU _dOCLCQ _dMERUC _dOCLCQ _dIOG _dDEGRU _dU3W _dEZ9 _dSTF _dWRM _dVTS _dICG _dINT _dVT2 _dOCLCQ _dWYU _dLVT
020			_a9780801460586 _q((electronic)l(electronic)ctronic)
020			_a9781322502878
029	1		_aAU@ _b000053280001
029	1		_aDEBBG _bBV043123489
029	1		_aDEBBG _bBV044097638
029	1		_aDEBSZ _b421232390
029	1		_aGBVCP _b1003675417
043			_ae-fr---
050	0	4	_aPQ151 _b.K569 2011
100	1		_aArmstrong, Adrian. _e1
245	1	0	_aKnowing poetry : _bverse in medieval France from the rose to the Rhétoriqueurs / _cAdrian Armstrong and Sarah Kay ; with the participation of Rebecca Dixon [and others.
260			_aIthaca : _bCornell University Press, _c(c)2011.
300			_a1 online resource (ix, 249 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aPersistent presence : verse after prose -- _tPoetry and history -- _tPoetry and thought -- _tKnowing the world in verse encyclopedias and encyclopedic verse -- _tKnowledge and the practice of poetry -- _tTextual communities : poetry and the social -- _tConstruction of knowledge.
520	0		_aIn the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occitan, with the explicit intention of transmitting encyclopedic, political, philosophical, moral, historical, and other forms of knowledge. In Knowing Poetry, Adrian Armstrong and Sarah Kay explore why and how verse continued to be used to transmit and shape knowledge in France. They cover the period between Jean de Meun's Roman de la rose (c. 1270) and the major work of Jean Bouchet, the last of the grands rhétoriqueurs (c. 1530). The authors find that the advent of prose led to a new relationship between poetry and knowledge in which poetry serves as a medium for serious reflection and self-reflection on subjectivity, embodiment, and time. They propose that three major works-the Roman de la rose, the Ovide moralisé, and Boethius' Consolation of Philosophy-form a single influential matrix linking poetry and intellectual inquiry, metaphysical insights, and eroticized knowledge. The trio of thought-world-contingency, poetically represented by Philosophy, Nature, and Fortune, grounds poetic exploration of reality, poetry, and community.
530			_a2 _ub
650		0	_aFrench poetry _yTo 1500 _xHistory and criticism.
650		0	_aKnowledge, Theory of, in literature.
655		1	_aElectronic Books.
700	1		_aKay, Sarah.
700	1		_aDixon, Rebecca.
856	4	0	_uhttp://public.eblib.com/choice/publicfullrecord.aspx?p=3138225&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPQ _m2011 _QOL _R _x _8NFIC _2LOC
999			_c101078 _d101078
902			_a1 _bCynthia Snell _c1 _dCynthia Snell