000 | 03430cam a2200385Mi 4500 | ||
---|---|---|---|
001 | ocn864506930 | ||
003 | OCoLC | ||
005 | 20240726105442.0 | ||
008 | 131202s2012 nyua ob 001 0 eng d | ||
040 |
_aYDXCP _beng _epn _erda _cYDXCP _dOCLCO _dNT _dP@U _dJSTOR _dOCLCA _dOCLCQ _dOCLCO _dOCLCF _dOCLCQ _dIDEBK _dK6U _dOCLCO _dCOO _dOCLCO _dOCLCQ _dOCLCO _dEBLCP _dOCLCO _dOCL _dOCLCQ _dOCLCO _dYDX _dMOR _dPIFAG _dZCU _dOCLCA _dMERUC _dOCLCA _dOCLCQ _dIOG _dDEGRU _dU3W |
||
020 |
_a9780801468841 _q((electronic)l(electronic)ctronic) |
||
043 |
_ae-it--- _aff----- _ae------ _aaw----- |
||
050 | 0 | 4 |
_aCC101 _b.E933 2012 |
049 | _aMAIN | ||
100 | 1 |
_aArthurs, Joshua, _d1975- _e1 |
|
245 | 1 | 0 |
_aExcavating modernity : _bthe Roman past in fascist Italy / _cJoshua Arthurs. |
260 |
_aIthaca : _bCornell University Press, _c(c)2012. |
||
300 |
_a1 online resource (xiii, 216 pages) : _billustrations |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
504 | _a2 | ||
505 | 0 | 0 |
_aThe Third Rome and its discontents, 1848-1922 -- _tScience and faith : the Istituto di studi romani, 1922-1929 -- _tHistory and hygiene in Mussolini's Rome, 1925-1938 -- _tThe totalitarian museum : the Mostra augustea della romanità, 1937-1938 -- _tEmpire, race, and the decline of romanità, 1936-1945. |
520 | 0 | _aThe cultural and material legacies of the Roman Republic and Empire in evidence throughout Rome have made it the "Eternal City." Too often, however, this patrimony has caused Rome to be seen as static and antique, insulated from the transformations of the modern world. In Excavating Modernity, Joshua Arthurs dramatically revises this perception, arguing that as both place and idea, Rome was strongly shaped by a radical vision of modernity imposed by Mussolini's regime between the two world wars.Italian Fascism's appropriation of the Roman past-the idea of Rome, or romanità- encapsulated the Fascist virtues of discipline, hierarchy, and order; the Fascist "new man" was modeled on the Roman legionary, the epitome of the virile citizen-soldier. This vision of modernity also transcended Italy's borders, with the Roman Empire providing a foundation for Fascism's own vision of Mediterranean domination and a European New Order. At the same time, romanità also served as a vocabulary of anxiety about modernity. Fears of population decline, racial degeneration and revolution were mapped onto the barbarian invasions and the fall of Rome. Offering a critical assessment of romanità and its effects, Arthurs explores the ways in which academics, officials, and ideologues approached Rome not as a site of distant glories but as a blueprint for contemporary life, a source of dynamic values to shape the present and future. | |
530 |
_a2 _ub |
||
650 | 0 |
_aArchaeology and state _zItaly _xHistory _y20th century. |
|
650 | 0 |
_aFascism and culture _zItaly _xHistory _y20th century. |
|
650 | 0 |
_aMuseum exhibits _xPolitical aspects _zItaly _xHistory _y20th century. |
|
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671344&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hCC. _m2012 _QOL _R _x _8NFIC _2LOC |
||
994 |
_a92 _bNT |
||
999 |
_c100809 _d100809 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |