000			03202nam a2200373Ki 4500
001			ocn864899837
003			OCoLC
005			20240726105441.0
008			131210s2013 enk ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT
020			_a9780199797851 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
050	0	4	_aPN1995 _b.S635 2013
049			_aNTA
245	1	0	_aThe social science of cinema /edited by James C. Kaufman, Dean Keith Simonton.
260			_aOxford : _bOxford University Press, _c(c)2013.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aSocial science of the cinema: fade in / _rJames C. Kaufman and Dean Keith Simonton -- _tThe creation. Writing for success: screenplays and cinematic impact / _rDean Keith Simonton -- _tSell by date? examining the shelf life and effects of female actors in popular films / _rStacy L. Smith, Amy Granados, Marc Choueiti and Katherine M. Pieper -- _tResolving the paradox of film music through a cognitive narrative approach to film comprehension / _rAnnabel Cohen -- _tThe audience. What type of movie person are you? understanding individual differences in film preferences and uses: a psychographic approach / _rTomas Chamorro-Premuzic, Andrea Kallias, and Anne Hsu -- _tFilm through the human visual system: finding patterns and limits / _rJordan E. DeLong, Kaitlin L. Brunick, and James E. Cutting -- _tSelf and the cinematic experience in the age of electronic transmission / _rGerald C. Cupchik and Michelle C. Hilscher -- _tThe production. The producer-director dyad: managing the faultline between art and commerce / _rJoris J. Ebbers, Nachoem M. Wijnberg, and Pawan V. Bhansing -- _tNetworks and rewards among Hollywood artists: evidence for a social structural ordering of creativity / _rGino Cattani and Simone Ferriani -- _tStrategic assets and performance across institutional environments / _rAllègre L. Hadida -- _tThe reception. Analyzing the Academy Awards: factors associated with winning and when surprises occur / _rIain Pardoe and Dean Keith Simonton -- _tResponses to and judgments of acting on film / _rThalia R. Goldstein -- _tAs good as it gets? Blockbusters and the inequality of box office results since 1950 / _rVictor Fernandez-Blanco, Victor Ginsburgh, Juan Prieto-Rodriguez, and Sheila Weyers -- _tSocial science of the cinema: fade out / _rJoshua Butler and James C. Kaufman.
530			_a2 _ub
650		0	_aMotion pictures.
650		0	_aMotion pictures _xSocial aspects.
650		0	_aMotion pictures _xPsychological aspects.
655		1	_aElectronic Books.
700	1		_aKaufman, James C. _5of compilation.
700	1		_aSimonton, Dean Keith _5of compilation.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=669841&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2013 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c100730 _d100730
902			_a1 _bCynthia Snell _c1 _dCynthia Snell