000			03358cam a2200433Mi 4500
001			ocn863054083
003			OCoLC
005			20240726105437.0
008			130522t20132013onc ob 001 0 eng d
040			_aCELBN _beng _erda _epn _cCELBN _dOCLCO _dIAL _dNT _dYDXCP _dJSTOR _dE7B _dOCLCQ _dJSTOR _dOCLCA _dOCLCF _dOCLCO _dOCLCQ _dOCLCO _dYDX _dOCLCO _dAGLDB _dOCLCA _dEBLCP _dOCLCA _dOCLCQ _dMERUC _dSTF _dOCLCA _dVTS _dAU@ _dOCLCQ _dEZ9 _dLVT _dUKAHL _dOCLCQ _dAJS _dOCLCO
020			_a9781442668317 _q((electronic)l(electronic)ctronic)
043			_ae-it---
050	0	4	_aPN1995 _b.U545 2013
049			_aMAIN
100	1		_aRenga, Dana, _d1971- _e1
245	1	0	_aUnfinished business : _bscreening the Italian Mafia in the new millennium / _cDana Renga.
260			_aToronto [Ontario] : _bUniversity of Toronto Press, _c(c)2013.
300			_a1 online resource (viii, 256 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aToronto Italian studies
504			_a2
505	0	0	_aIntroduction: Trauma, gender, and recent Italian Mafia cinema -- _tOedipal conflicts in Marco Tullio Giordana's I cento passi -- _tHonour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- _tMafia women in a man's world: Roberta Torre's Angela -- _tThe Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- _tMen of honour, man of glass: Stefano Incerti's L'uomo di vetro -- _tThe female mob boss: Edoardo Winspeare's Galantuomini -- _tMelancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- _tMourining disavowed: Matteo Garrone's Gomorra -- _tRecasting Rita Atria in Marco Amenta's La siciliana ribelle -- _tTrauma postponed: Claudio Cupellini's Una vita tranquilla -- _tEpilogue: Why must Caesar die?
520	0		_a"Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy.
520	0		_aUnfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--Pub. desc.
530			_a2 _ub
650		0	_aGangster films _zItaly _xHistory and criticism.
650		0	_aMafia in motion pictures.
650		0	_aPsychic trauma in motion pictures.
650		0	_aMotion pictures and women.
650		0	_aGangster films _zItaly.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=660256&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c100507 _d100507
902			_a1 _bCynthia Snell _c1 _dCynthia Snell