000			03917cam a2200445Ii 4500
001			ocn867317517
003			OCoLC
005			20240726105434.0
008			140104s2013 enk o 000 0 eng d
040			_aEBLCP _beng _erda _cEBLCP _dOCLCO _dNT
020			_a9781107693845 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
050	0	4	_aPR830 _b.V538 2013
049			_aNTA
100	1		_aGilmore, Dehn, _d1980- _e1
245	1	0	_aThe Victorian novel and the space of art _bfictional form on display / _cDehn Gilmore.
260			_aCambridge : _bCambridge University Press, _c(c)2013.
300			_a1 online resource (260 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aCambridge Studies in Nineteenth-Century Literature and Culture
500			_aDescription based upon print version of record.
504			_a2
505	0	0	_aCover; Contents; Illustrations; Acknowledgments; Introduction Seeing how the Victorians saw; Glimpses; A closer look; Literary expansions; Literary uncertainty; Artistic expansions; Artistic uncertainty; A tour; Intersections; Chapter 1Terms of art: reading the Dickensian gallery; The rise of the middle-class collector; A revolution in taste and the rise of aesthetic mixture; The gallery's glare and bustle; Dickens and the art market; Dickens as writer and painter; Dickens for readers and viewers; The novel and the gallery, the novel as gallery
505	0	0	_aChapter 2The difficulty of historical work in the nineteenth-century museum and the Thackerayan novelTrouble in the historical novel and at the museum; The museums' messy cleanup; Thackeray and the museum; Esmond and the museum; The art of Thackeray's critics; Chapter 3"Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular; The great exhibitions; The unbewildered gaze; The Woman in White and the exhibition; Familiar looking and the sensation novel; Repeated looking and the sensation novel
505	0	0	_aChapter 4"The interesting subject of the art of the future": Thomas Hardy and the historicity of tasteHardy as aficionado; The rise of the art critic; The art of the present; The art of the future; Hardy and the art of the future; A Laodicean: an ambivalent stance; The Hand of Ethelberta: the museum versus the Royal Academy; Jude the Obscure: the death of taste; The Well-Beloved: farewell to all that; An afterword from the British Museum: the viewing voice; Conclusion Rethinking how we see the Victorians; Notes; Introduction:Seeing how the Victorians saw
505	0	0	_a1 Terms of art: reading the Dickensian gallery2 The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel; 3"Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular; 4 "The interesting subject of the art of the future": Thomas Hardy and the historicity of taste; Conclusion Rethinking how we see the Victorians; Bibliography; Primary sources; Secondarysources; Index
520	0		_aAn interdisciplinary study of the relationship between the Victorian novel and visual art including galleries, museums and The Great Exhibition.
530			_a2 _ub
650		0	_aEnglish fiction _y19th century _xHistory and criticism.
650		0	_aArt and literature _zGreat Britain _xHistory _y19th century.
650		0	_aArt in literature.
650		0	_aArts in literature.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=656947&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPR. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c100389 _d100389
902			_a1 _bCynthia Snell _c1 _dCynthia Snell