000			02870cam a2200409Mi 4500
001			ocn892799283
003			OCoLC
005			20240726105434.0
008			141011s2014 flu ob 001 0 eng d
040			_aEBLCP _beng _epn _erda _cEBLCP _dP@U _dCN3GA _dOCLCO _dE7B _dNT _dYDXCP _dKSU _dIDEBK _dCDX _dCOO _dOCLCQ _dOCLCO _dCUS _dQCL _dOCLCF _dOCLCQ _dAGLDB _dOCLCQ _dIOG _dOCL _dSTF _dCUY _dVTS _dOCLCQ _dINT _dOCLCQ _dDKC _dOCLCQ _dM8D _dTEFOD _dOCLCQ _dJSTOR
020			_a9780813055022 _q((electronic)l(electronic)ctronic)
020			_a9780813050454
043			_an------ _as------
050	0	4	_aN6603 _b.A376 2014
049			_aMAIN
100	1		_aJuncker, Kristine, _e1
245	1	0	_aAfro-Cuban Religious Arts : _bPopular Expressions of Cultural Inheritance in Espiritismo and Santería / _cKristine Juncker.
260			_aGainesville : _bUniversity Press of Florida, _c(c)2014.
300			_a1 online resource (217 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aCover; Afro-Cuban Religious Arts; Title; Copyright; Dedication; Contents; List of Plates; List of Figures; List of Tables; Acknowledgments; Note on Orthography and Naming; Introduction; 1 Religious Pluralism and the Afro-Cuban Ritual-Arts Movement, 1899-1969; 2 Tiburcia and the Nested Spaces of Afro-Cuban Ritual Arts, 1861-1938; 3 Hortensia and Iluminada: Afro-Cuban Ritual Altars at the Crossroads; 4 Iluminada and Carmen: Arts of Historical Desire in 1950s and 1960s Spanish Harlem; Conclusion: Afro-Atlantic Arts and the Popular Sublime; Appendix: Food for the Oricha; Notes; Bibliography.
520	0		_aThis book profiles four generations of women from one Afro-Cuban religious family. From a plantation in Havana Province in the 1890s to a religious center in Spanish Harlem in the 1960s, these women were connected by their prominent roles as leaders in the religions they practiced and the dramatic ritual artwork they created. Each woman was a medium in Espiritismo-communicating with dead ancestors for guidance or insight-and also a santera, or priest of Santería, who could intervene with the oricha pantheon. Kristine Juncker argues that, by creating art for more than one religion, these wome.
530			_a2 _ub
650		0	_aArt, Cuban _xReligious aspects.
650		0	_aArt, Cuban _xAfrican influences.
650		0	_aSpiritualism in art.
650		0	_aSanteria in art.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=656622&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN _m2014 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c100360 _d100360
902			_a1 _bCynthia Snell _c1 _dCynthia Snell