000			03069cam a2200397Ii 4500
001			ocn876513757
003			OCoLC
005			20240726105434.0
008			140412s2014 flu ob 001 0beng d
040			_aEBLCP _beng _epn _erda _cEBLCP _dIDEBK _dNT _dP@U _dCDX _dE7B _dOCLCQ _dOCLCF _dYDXCP _dOCLCQ _dAGLDB _dMOR _dCCO _dPIFAG _dZCU _dMERUC _dOCLCQ _dOCLCO _dU3W _dSTF _dVTS _dNRAMU _dCRU _dICG _dOCLCQ _dOCLCO _dVT2 _dOCLCQ _dOCLCO _dWYU _dTKN _dJBG _dDKC _dOCLCQ _dM8D _dOCL _dOCLCQ _dOCLCO _dJSTOR
020			_a9780813048789 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	4	_aNB237 _b.M668 2014
049			_aMAIN
100	1		_aSeebohm, Caroline. _e1
245	1	0	_aMonumental dreams : _bthe life and sculpture of Ann Norton / _cCaroline Seebohm.
260			_aGainesville : _bUniversity Press of Florida, _c(c)2014.
300			_a1 online resource (225 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
505	0	0	_aCover; Contents; Prologue; Part I. Southern Roots: Selma, Alabama, 1905-1930; 1. The Origins of a Great Alabama Family; 2. Childhood in Selma; 3. Early Success; Part II. The Art World in Turmoil: New York, 1930-1942; 4. A Tumultuous Education; 5. The Emergence of an Artist; 6. A Rare Friendship; 7. Career Challenges; 8. A Turning Point; Part III. From Annie Vaughan Weaver to Ann Norton: Florida, 1943-1953; 9. The Savior from Chicago; 10. A Reticent Romance; 11. Marriage and a New Life; 12. A Growing Confidence; Part IV. The Journey to the Source: Florida, 1954-1982; 13. New Freedom, New Work.
505	0	0	_a14. Figures in the Landscape15. East and West, New Relationships; 16. Dreams of Selma; 17. Time Runs Out; 18. The Garden as Legacy; List of Exhibitions; Notes; Acknowledgments; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z.
520	0		_aIn 1929, the Museum of Modern Art opened its doors, showing the astonishing paintings of Picasso, Matisse, and other avant garde artists. Young American artists quickly responded by experimenting with impressionism, cubism, and abstraction. In Monumental Dreams, author Caroline Seebohm tells the riveting story of how Ann Norton (1905-1982)-a child of the South who had eschewed her Alabama roots to become a sculptor in New York City-joined this new guard. She studied with John Hovannes and Jose de Creeft and was studio assistant to Alexander Archipenko. Her work was well received, and.
504			_a2
530			_a2 _ub
600	1	0	_aNorton, Ann Weaver, _d1905-1982.
650		0	_aWomen sculptors _zUnited States _vBiography.
650		0	_aSculpture, American.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=656616&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hNB _m2014 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c100355 _d100355
902			_a1 _bCynthia Snell _c1 _dCynthia Snell