000			03633cam a2200421 i 4500
001			on1256590052
003			OCoLC
005			20240726105432.0
008			140701t20132013ne a obq 001 0beng
010			_a2019667317
040			_aDLC _beng _epn _erda _cDLC _dE7B _dNTE _dYDXCP _dZMC _dNT _dJSTOR _dOCLCF _dEBLCP _dCCO _dMERUC _dZCU _dIOG _dWY@ _dLOA _dSTF _dWRM _dVTS _dEZ9 _dCEF _dVT2 _dICG _dXFH _dCOO _dAGLDB _dDEGRU _dWYU _dLVT _dICN _dMERER _dCUY _dSOI _dERL _dTXR _dP@U _dAJS _dCAMBR _dTUHNV _dOCLCO
020			_a9789048518180 _q((electronic)l(electronic)ctronic)
020			_a9048518180 _q((electronic)l(electronic)ctronic)
043			_an-us-ca
050	0	0	_aPN1998 _b.T736 2013
049			_aMAIN
100	1		_aFlorin, Bo, _d1961- _e1
245	1	0	_aTransition and transformation : _bVictor Sjöström in Hollywood 1923-1930 / _cBo Florin.
260			_aAmsterdam : _bAmsterdam University Press, _c(c)2013.
300			_a1 electronic resource (157 pages ).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aFilm culture in transition
504			_a2
520	8		_aVictor Sjöström (1879-1960), or Victor Seastrom as he was known during his Hollywood career, was undoubtedly one of the most renowned silent film directors. Focusing on his masterpieces such as 'The Scarlet Letter' and 'The Wind', but also including films he had made in Sweden before moving to Hollywood, as well as film fragments and films considered lost, Florin analyses Sjöström's austere and naturalistic style and the transformations it underwent during his Hollywood years.
505	0	0	_tIntroduction -- _tFrom Sjöström to Seastrom -- _tSjöström -- _tFrom National to International -- _tLyrical Intimacy as Authorial Style -- _tNational or International in Public Debate -- _tAmerican Voices on Sjöström -- _tA European in Hollywood -- _tName the Man and the Shift of -- _tProduction Systems -- _tProduction Cultures -- _tContaminating Hollywood -- _tStylistic Variations -- _tFrom Scientist to Clown -- _tHe Who Gets Slapped -- _tSjöström as Hollywood Scriptwriter -- _tTraces of the Narrator -- _tThe Symbolic Clown -- _tTransformed Identities -- _tThe Question of Whitefacing -- _tHe, the Clown -- _tA for Adultery -- _tThe Scarlet Letter -- _tHester Prynne and the Spectacle -- _tAn Aesthetics of Light -- _tStylistic Devices -- _tConquering Nature -- _tThe Wind -- _tLandscape of the Origins -- _tFraming the Wind -- _tShattering the Frame -- _tFrom Physical Space to Mental Space -- _tThe Final Crossover -- _tFragmented Pieces -- _tWriting the History of the Lost Hollywood Films -- _tAuthorial Imprints: Confessions of a Queen -- _tLagerlöf in Hollywood: The Tower of Lies -- _tThe Divine Woman -- _tFrom Bernhardt to Garbo -- _tA Strange Interlude: The Masks of the Devil -- _tThe Shadow of the Silents -- _tA Lady to Love -- _tOne Film, Two Versions -- _tThe Transition to Sound -- _tThe Transition from Silents -- _tEuropeans in Hollywood -- _tThe Genius and the System- Some Concluding Remarks.
530			_a2 _ub
600	1	0	_aSjöström, Victor, _d1879-1960.
600	1	1	_aSjöström, Victor, _d1879-1960.
650		0	_aMotion picture producers and directors _zCalifornia _zLos Angeles.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=654481&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c100289 _d100289
902			_a1 _bCynthia Snell _c1 _dCynthia Snell