000 | 03253cam a2200565Ii 4500 | ||
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001 | ocn810232657 | ||
003 | OCoLC | ||
005 | 20240726105432.0 | ||
008 | 120929s2012 ne ab ob 001 0 eng d | ||
040 |
_aNLOAP _beng _epn _erda _cNLOAP _dNTE _dMHW _dEBLCP _dYDXCP _dE7B _dOCLCQ _dMEAUC _dNT _dHEBIS _dOCLCF _dDEBSZ _dZMC _dJSTOR _dOCLCQ _dIYU _dOCLCQ _dCDX _dIDEBK _dXBM _dOCLCQ _dOCL _dMERUC _dCOCUF _dK6U _dYDX _dOCLCO _dZCU _dOCLCQ _dIOG _dWY@ _dOCL _dOCLCA _dU3W _dOCLCA _dUUM _dOCLCQ _dICG _dTXC _dOCLCA _dAU@ _dDEGRU _dLVT _dICN _dIYU |
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020 |
_a9789048516322 _q((electronic)l(electronic)ctronic) |
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020 |
_a9048516323 _q((electronic)l(electronic)ctronic) |
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020 | _a9781283698368 | ||
042 | _adc | ||
043 | _ae-gx--- | ||
050 | 0 | 4 |
_aHM1231 _b.N395 2012 |
049 | _aMAIN | ||
100 | 1 |
_aBirdsall, Carolyn. _e1 |
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245 | 1 | 0 |
_aNazi soundscapes : _bsound, technology and urban space in Germany, 1933-1945 / _cCarolyn Birdsall. |
260 |
_aAmsterdam : _bAmsterdam University Press, _c(c)2012. |
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300 |
_a1 online resource (272 pages) : _billustrations, maps |
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336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_a2 _ub |
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520 | 0 | _aMany images of Nazi propaganda are universally recognizable, and symbolize the ways that the National Socialist party manipulated German citizens. What might an examination of the party's various uses of sound reveal? In Nazi Soundscapes, Carolyn Birdsall offers an in-depth analysis of the cultural significance of sound and new technologies like radio and loudspeaker systems during the rise of the National Socialist party in the 1920s to the end of World War II. Focusing specifically on the urban soundscape of Düsseldorf, this study examines both the production and reception of sound-based propaganda in the public and private spheres. Birdsall provides a vivid account of sound as a key instrument of social control, exclusion, and violence during Nazi Germany, and she makes a persuasive case for the power of sound within modern urban history. | |
505 | 0 | 0 |
_tAffirmative Resonances in Urban Space -- _tThe Festivalisation of the Everyday -- _tMobilising Sound for the Nation at War -- _tCinema as a Gesamtkunstwerk? -- _tAfterword: Echoes of the Past. |
610 | 2 | 4 | _aNationalsozialistische Deutsche Arbeiter-Partei. |
650 | 0 |
_aPropaganda _zGermany _xHistory _y20th century. |
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650 | 0 |
_aMass media and propaganda _zGermany _xHistory _y20th century. |
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650 | 0 |
_aSocial control _zGermany _xHistory _y20th century. |
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653 | _aHistory | ||
653 | _aNazi | ||
653 | _aUrban Cities | ||
653 | _aMedia Technology | ||
653 | _aPropaganda | ||
653 | _aGeschiedenis | ||
653 | _aSoundscapes | ||
653 | _aGermany | ||
653 | _aRadio | ||
653 | _aListening | ||
653 | _aPopular Music | ||
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=654441&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hHM _m(c)2012 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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_c100256 _d100256 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |