000			02798cam a2200445Mi 4500
001			ocn815380396
003			OCoLC
005			20240726105432.0
008			120619s2012 ne a ob 001 0 eng d
040			_aCDX _beng _erda _cCDX _dMHW _dEBLCP _dOCLCQ _dE7B _dOCLCQ _dOCLCO _dYDXCP _dKIJ _dIDEBK _dEQO _dMEAUC _dNT
020			_a9789048513536 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
020			_a9048513537 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
029	1		_aAU@ _b000050634123
029	1		_aAU@ _b000051447689
029	1		_aNZ1 _b14926967
029	1		_aNZ1 _b14935689
050	0	4	_aPN1995 _b.F548 2012
049			_aNTA
100	1		_aVidal, Belén. _e1
245	1	0	_aFiguring the past _bperiod film and the mannerist aesthetic / _cBelén Vidal.
260			_aAmsterdam : _bAmsterdam University Press, _c(c)2012.
300			_a1 online resource (256 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aFilm culture in transition
504			_a2
520	0		_aThis definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures - the house, the tableau and the letter - struc.
530			_a2 _ub
505	0	0	_aFiguring the Past; Table of Contents; Acknowledgements; Introduction -- _tPeriod Film and the Mannerist Moment; Chapter 1 -- _tA Poetics of Figuration; Chapter 2 -- _tPresent in the Past: The House; Chapter 3 -- _tTime and the Image: The Tableau; Chapter 4 -- _tThe Scene of Writing: The Letter; Conclusion -- _tSecond Sight: Reviewing th e Past, Figuring the Present; Notes; Bibliography; Index of Film Titles; Index of Names and Subjects;
650		0	_aHistorical films _xHistory and criticism.
650		0	_aMotion pictures and history.
650		0	_aRenaissance in motion pictures.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=654434&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _mc2012 _QOL _R _x _8NFIC _2LOC
994			_a11 _bNT
999			_c100250 _d100250
902			_a1 _bCynthia Snell _c1 _dCynthia Snell