000			03990cam a2200469Ii 4500
001			ocn864552041
003			OCoLC
005			20240726105430.0
008			131203s2013 enka ob 000 0 eng d
010			_a2013432507
040			_aNT _beng _erda _epn _cNT _dOCLCO _dIDEBK _dCDX _dCDN _dTEFOD _dYDXCP _dOCLCQ _dTEFOD _dE7B _dTOH _dCOO _dOCLCQ _dTEFOD _dAGLDB _dOCLCQ _dMOR _dPIFAG _dOCLCQ _dU3W _dOCLCF _dSTF _dVTS _dCOCUF _dVT2 _dAU@ _dOCLCQ _dWYU _dTKN _dRECBK _dUKAHL _dUKUAL _dINARC _dSFB _dOCLCO _dOCLCQ _dOCLCA
015			_aGBB372388 _2bnb
016	7		_a016473373 _2Uk
020			_a9781461947356 _q((electronic)l(electronic)ctronic)
020			_a9781299988316 _q((electronic)l(electronic)ctronic)
020			_a9781846381232 _q((electronic)l(electronic)ctronic)
020			_a9781846381249 _q((electronic)l(electronic)ctronic)
050	0	4	_aN6549 _b.R636 2013
049			_aMAIN
100	1		_aSteiner, Shep, _e1
245	1	0	_aRodney Graham : _bPhonokinetoscope / _cShepherd Steiner.
246	3	0	_aPhonokinetoscope
260			_aLondon : _bAfterall Books, _c(c)2013.
260			_aCambridge, Massachusetts : _bThe MIT Press, _c(c)2013.
300			_a1 online resource (115 pages) : _billustrations (some color).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aOne work series
504			_a1
505	0	0	_aTupoi -- _tFrom Topoi to topologies -- _tPrimordial encounters -- _tCinema as Pharmakon -- _t'Pre-positional by-play' -- _t'How does it feel ... How does it feel ... ', or Getting around Husserl's 'temporal object' -- _tAppendix I. Rodney Graham, 'Theme from Phonokinetoscope' (2001) -- _tAppendix II. 'A thousand words: Rodney Graham talks about Phonokinetoscope' (Artforum, 2001).
520	0		_aAn examination of the complex and subtle world on display in Rodney Graham's film of an LSD-inflected bicycle ride. Rodney Graham's Phonokinetoscope (2001) is a five-minute 16mm film loop in which the artist is seen riding his Fischer Original bicycle through Berlin's Tiergarten while taking LSD, to the soundtrack of a fifteen-minute song (written and performed by Graham) recorded on a vinyl LP. The turntable drives the projection of the film; the film starts when the needle is placed on the record and stops when the needle is taken off. Graham's ride evokes the Swiss scientist Albert Hoffman's famous 1943 bicycle ride home after an experimental dose of LSD as well as Paul Newman's backward-facing ride in Butch Cassidy and the Sundance Kid; the accompanying music presents a thicket of riffs and borrowings. As the images and visual details repeat in the film's endless loop, the artist's Phonokinetoscope refers to a surprising number of works of art and literature, displaying a world rich with subtle meaning. In this illustrated study of Phonokinetoscope, Shep Steiner describes the work as marking Graham's transition into a new medium. Steiner positions Graham's practice in relation to postminimalist practice and that of other artists including Dan Graham, but especially, Ian Wallace and Jeff Wall; considers Graham's rhetoric of playfulness; and finally, beyond the web of references, argues for a notion of allegory and memory theater keyed to the durational work yet satisfying the aesthetic standards of static art. Phonokinetoscope, Steiner argues, looks back to Graham's earlier works focusing on the notion of protocinema and forward to his later musical preoccupations.
530			_a2 _ub
600	1	0	_aGraham, Rodney, _d1949-2022 --
650		0	_aPhotography, Artistic.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=649170&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c100148 _d100148
902			_a1 _bCynthia Snell _c1 _dCynthia Snell