000 03403nam a2200397Ki 4500
001 ocn867631075
003 OCoLC
005 20240726105428.0
008 140107s2013 enk ob 001 0 eng d
040 _aNT
_beng
_erda
_epn
_cNT
020 _a9781107517202
_q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
043 _ae-uk---
_aa-cc---
050 0 4 _aPR447
_b.F674 2013
049 _aNTA
100 1 _aKitson, Peter J.
_e1
245 1 0 _aForging romantic China :
_bSino-British cultural exchange, 1760-1840 /
_cPeter J. Kitson.
260 _aCambridge ;
_aNew York :
_bCambridge University Press,
_c(c)2013.
300 _a1 online resource (vii, 312 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aCambridge studies in Romanticism ;
_v105
520 0 _a"The first major cultural study to focus exclusively on this decisive period in modern British-Chinese relations. Based on extensive archival investigations, Peter J. Kitson shows how British knowledge of China was constructed from the writings and translations of a diverse range of missionaries, diplomats, travellers, traders, and literary men and women during the Romantic period. The new perceptions of China that it gave rise to were mediated via a dynamic print culture to a diverse range of poets, novelists, essayists, dramatists and reviewers, including Jane Austen, Thomas Percy, William Jones, S. T. Coleridge, George Colman, Robert Southey, Charles Lamb, William and Dorothy Wordsworth and others, informing new British understandings and imaginings of China on the eve of the Opium War of 1839-42. Kitson aims to restore China to its true global presence in our understandings of the culture and literature of Britain in the late eighteenth and early nineteenth centuries"--
_cProvided by publisher.
504 _a2
505 0 0 _aMachine generated contents note: Introduction; 1. Thomas Percy and the forging of Romantic China; 2. 'A wonderful stateliness': William Jones, Joshua Marshman, and the Bengal School of Sinology; 3. 'They thought that Jesus and Confucius were alike': Robert Morrison, Malacca, and the missionary reading of China; 4. 'Fruits of the highest culture may be improved and varied by foreign grafts': the Canton School of Romantic Sinology: Staunton and Davis; 5. Establishing the 'Great Divide': scientific exchange and the Macartney Embassy; 6. 'You will be taking a trip into China, I suppose': kowtows, tea cups, and the evasions of British Romantic writing on China; 7. Chinese gardens, Confucius, and the prelude; 8. 'Not a bit like the Chinese figures that adorn our chimney-pieces': orphans and travellers: China on stage; Bibliography.
530 _a2
_ub
650 0 _aEnglish literature
_y18th century
_xHistory and criticism.
650 0 _aEnglish literature
_y19th century
_xHistory and criticism.
650 0 _aRomanticism
_zGreat Britain.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=644603&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPR
_m2013
_QOL
_R
_x
_8NFIC
_2LOC
994 _a02
_bNT
999 _c100033
_d100033
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell