000			03084nam a2200373Ki 4500
001			ocn871257252
003			OCoLC
005			20240726105428.0
008			140303s2013 enk ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT
020			_a9781107516762 _q((electronic)l(electronic)ctronic)l((electronic)l(electronic)ctronic)ctronic bk.
050	0	4	_aML410 _b.B448 2013
049			_aNTA
100	1		_aNovember, Nancy. _e1
245	1	0	_aBeethoven's theatrical quartets : _bopp. 59, 74, and 95 / _cNancy November.
260			_aCambridge, UK ; _aNew York : _bCambridge University Press, _c(c)2013.
300			_a1 online resource (xiii, 282 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aMusic in context
504			_a2
505	0	0	_aSetting the scene : theories, practices, and the early nineteenth-century string quartet -- _tCurtain up : performing the middle-period quartets in Beethoven's time -- _t'Not generally comprehensible' : opus 59, numbers 1 and the drama of becoming -- _t'With much feeling' : song, sensibility, and rhapsody in opus 59, numbers 2 -- _t'Helden-Quartett ': genre, innovation, and 'heroic' voices in opus 59, numbers 3 -- _tFreudvoll und leidvoll : songful impetus and dualistic voice in the 'Harp' Quartet -- _t'The quick-witted brevity of the genuine dramatist' -- _tOp. 95 and the idea of the fragment -- _tA tale of heroic emancipation? Reception narratives for the middle-period string quartets.
520	0		_a"Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character"-- _cProvided by publisher.
530			_a2 _ub
650		0	_aString quartets _xAnalysis, appreciation.
650		0	_aMusic _xPhilosophy and aesthetics.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=644579&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c100024 _d100024
902			_a1 _bCynthia Snell _c1 _dCynthia Snell