000			03907cam a2200481Ii 4500
001			ocn859155176
003			OCoLC
005			20240726105428.0
008			130930s2013 maua ob 001 0 eng d
010			_a2012049423
040			_aNT _beng _erda _epn _cNT _dYDXCP _dIDEBK _dE7B _dCDX _dCHVBK _dEUX _dNHM _dQGK _dCNKEY _dOCLCQ _dEBLCP _dOCL _dAGLDB _dERL _dMOR _dPIFAG _dVGM _dZCU _dMERUC _dOCLCQ _dU3W _dSTF _dOCLCQ _dVTS _dNRAMU _dICG _dOCLCQ _dINT _dVT2 _dOCLCQ _dMITPR _dWYU _dOCLCO _dG3B _dJBG _dTKN _dOCLCQ _dDKC _dOCLCQ _dM8D _dOCLCA _dOCLCQ _dOCLCA _dRECBK _dUKAHL _dQCL _dOCLCF _dUKQUB _dAJS _dOCLCO
020			_a9781461944423 _q((electronic)l(electronic)ctronic)
020			_a9780262317207 _q((electronic)l(electronic)ctronic)
020			_a9780262317221 _q((electronic)l(electronic)ctronic)
041	1		_aeng _hund
050	0	4	_aN6494 _b.A378 2013
049			_aMAIN
100	1		_aKwastek, Katja, _e1
245	1	0	_aAesthetics of interaction in digital art /Katja Kwastek ; foreword by Dieter Daniels ; translated by Niamh Warde.
260			_aCambridge, Massachusetts : _bThe MIT Press, _c(c)2013.
300			_a1 online resource (xxii, 357 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aInteractive art: definition and origins -- _tInteraction as an aesthetic experience -- _tThe aesthetics of play -- _tThe aesthetics of interaction in digital art -- _tCase studies.
520	0		_a"Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media alike. Kwastek, herself an art historian, offers a set of theoretical and methodological tools that are suitable for understanding and analyzing not only new media art but also other contemporary art forms. Addressing both the theoretician and the practitioner, Kwastek provides an introduction to the history and the terminology of interactive art, a theory of the aesthetics of interaction, and exemplary case studies of interactive media art. Kwastek lays the historical and theoretical groundwork with discussions of processual strategies of twentieth-century art and theories of aesthetic experience, process aesthetics, play, and performance. She then develops an aesthetics of interaction, discussing such aspects as real space and data space, temporal structures, instrumental and phenomenal perspectives, and the relationship between materiality and interpretability. Finally, she applies her theory to specific works of interactive media art, including narratives in virtual and real space, interactive installations, and performance - with case studies of works by Olia Lialina, Susanne Berkenheger, Stefan Schemat, Teri Rueb, Lynn Hershman, Agnes Hegedüs, Tmema, David Rokeby, Sonia Cillari, and Blast Theory."--Pub. desc.
530			_a2 _ub
650		0	_aInteractive art.
650		0	_aNew media art.
650		0	_aAesthetics, Modern _y20th century.
650		0	_aAesthetics, Modern _y21st century.
650		0	_aAesthetics, Modern.
653			_aDIGITAL HUMANITIES & NEW MEDIA/New Media Art
653			_aARTS/Art History/Contemporary Art
653			_aSOCIAL SCIENCES/Media Studies
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=644475&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN. _m2013 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c100001 _d100001
902			_a1 _bCynthia Snell _c1 _dCynthia Snell