Staging creolization : women's theater and performance from the French Caribbean / Emily Sahakian.

By:

Sahakian, Emily [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780813940076
9780813940090

Other title:

Women's theater and performance from the French Caribbean

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PQ3943 .S734 2017

Online resources:

Click to access digital title | log in using your CIU ID number and my.ciu.edu password

Available additional physical forms:

Contents:

Unsettling the gendered stereotypes of plantation culture: Ina Cesaire's Rosanie Soleil and Maryse Conde's Pension les Alizes -- Remixing unity and difference: Maryse Conde's An tan revolisyon, Ina Cesaire's Memoires d'isles and Gerty Dambury's Lettres indiennes -- Syncretizing performance and moral code: Ina Cesaire's L'enfant des passages and Simone Schwarz-Bart's Ton beau capitaine -- Diaspora performances at Ubu Repertory Theater in New York -- Recasting the Francophone Caribbean couple at Ubu Repertory Theater -- Coda: creolizing knowledge in U.S. university performances.

Subject: "Emily Sahakian examines plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization --

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PQ3943 (Browse shelf(Opens below))	Link to resource	Available		ocn993254885

Includes bibliographies and index.

"Emily Sahakian examines plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization --

Introduction -- Unsettling the gendered stereotypes of plantation culture: Ina Cesaire's Rosanie Soleil and Maryse Conde's Pension les Alizes -- Remixing unity and difference: Maryse Conde's An tan revolisyon, Ina Cesaire's Memoires d'isles and Gerty Dambury's Lettres indiennes -- Syncretizing performance and moral code: Ina Cesaire's L'enfant des passages and Simone Schwarz-Bart's Ton beau capitaine -- Diaspora performances at Ubu Repertory Theater in New York -- Recasting the Francophone Caribbean couple at Ubu Repertory Theater -- Coda: creolizing knowledge in U.S. university performances.

https://lib.ciu.edu/copyright-request-form

There are no comments on this title.

to post a comment.