African diasporic cinema aesthetics of reconstruction / Daniela Ricci ; translated from French by Melissa Thackway ; foreword by Alexie Tcheuyap.

By:

Ricci, Daniela, 1970- [Author]

Contributor(s):

Thackway, Melissa []

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781609176396
9781628954012

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN1995 .A375 2020

Online resources:

Click to access digital title | log in using your CIU ID number and my.ciu.edu password.

Available additional physical forms:

Contents:

Contents -- Foreword, by Alexie Tcheuyap -- Acknowledgments -- Introduction: Contemporary African Diasporic Films -- Part One. Identities, Representations, and Cinematographic Discourses -- Chapter 1. The Question of Identity -- Chapter 2. Cinematographic Representations: Representations and Their Consequences -- Chapter 3. African Cinema: New Perspectives -- Part Two. Film Analyses -- Chapter 4. Introduction to the Socio-Aesthetic Analysis of African Diasporic Film -- Chapter 5. To Each Their Own Truth: Rage, by Newton I. Aduaka -- Chapter 6. Between Fiction and Experience: Juju Factory, by Balufu Bakupa-Kanyinda -- Chapter 7. In-Between Places: Notre étrangère, by Sarah Bouyain -- Chapter 8. Interior/Exterior Worlds: L'Afrance, by Alain Gomis -- Chapter 9. Worlds in Construction and the Intellectual's Return: Teza, by Haile Gerima -- In Guise of a Conclusion -- Notes -- Bibliography -- Films Cited -- Index.

Subject: "African Diasporic Cinema: Aesthetics of Reconstruction examines contemporary diasporic African films, explores the aesthetic strategies used by black diasporic filmmakers to express identity reconstruction processes after migration, and highlights their films' continuities with and distances from foundational African films. The analyzed films (by Newton I. Aduaka, Sarah Bouyain, Haile Gerima, Alain Gomis, and Balufu Bakupa-Kanyinda) reflect different personal and artistic paths and various visions between Africa and Europe or the United States"--

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN1995 (Browse shelf(Opens below))	Link to resource	Available		on1155212572

Includes bibliographies and index.

Intro -- Contents -- Foreword, by Alexie Tcheuyap -- Acknowledgments -- Introduction: Contemporary African Diasporic Films -- Part One. Identities, Representations, and Cinematographic Discourses -- Chapter 1. The Question of Identity -- Chapter 2. Cinematographic Representations: Representations and Their Consequences -- Chapter 3. African Cinema: New Perspectives -- Part Two. Film Analyses -- Chapter 4. Introduction to the Socio-Aesthetic Analysis of African Diasporic Film -- Chapter 5. To Each Their Own Truth: Rage, by Newton I. Aduaka -- Chapter 6. Between Fiction and Experience: Juju Factory, by Balufu Bakupa-Kanyinda -- Chapter 7. In-Between Places: Notre étrangère, by Sarah Bouyain -- Chapter 8. Interior/Exterior Worlds: L'Afrance, by Alain Gomis -- Chapter 9. Worlds in Construction and the Intellectual's Return: Teza, by Haile Gerima -- In Guise of a Conclusion -- Notes -- Bibliography -- Films Cited -- Index.

"African Diasporic Cinema: Aesthetics of Reconstruction examines contemporary diasporic African films, explores the aesthetic strategies used by black diasporic filmmakers to express identity reconstruction processes after migration, and highlights their films' continuities with and distances from foundational African films. The analyzed films (by Newton I. Aduaka, Sarah Bouyain, Haile Gerima, Alain Gomis, and Balufu Bakupa-Kanyinda) reflect different personal and artistic paths and various visions between Africa and Europe or the United States"--

https://lib.ciu.edu/copyright-request-form

There are no comments on this title.

to post a comment.