Rhymin' and stealin' : musical borrowing in hip-hop / Justin A. Williams.
Material type: TextSeries: Publication details: Ann Arbor, Michigan : University of Michigan Press, (c)2013.Description: 1 online resource (304 pages) : illustrations (black and white)Content type:- text
- computer
- online resource
- 9781299782426
- 9780472029396
- ML3531 .R496 2013
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | ML3531 (Browse shelf(Opens below)) | Link to resource | Available | ocn857428780 |
Includes bibliographies and index.
Introduction -- Historicizing the breakbeat : hip-hop's origins and authenticity -- The construction of jazz rap as high art in hip-hop music -- Dr. Dre's "Jeep beats" and musical borrowing for the automotive space -- The martyr industry : Tupac Shakur, the Notorious B.I.G., and postmortem sampling -- Borrowing and lineage in Eminem/2Pac's Loyal to the game and 50 Cent's Get rich or die trying -- Conclusion -- Notes -- Bibliography -- Discography -- Filmography -- Index.
Rhymin' and Stealin' Musical Borrowing in Hip-Hop, Dr Williams uses examples from Nas, Jay-Z, A Tribe Called Quest, Eminem, and many others to show that the transformation of pre-existing material is the fundamental element of hip-hop aesthetics.
COPYRIGHT NOT covered - Click this link to request copyright permission:
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