Derivative images : financial derivatives in french film, literature and thought / Calum Watt.

By:

Watt, Calum [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781474486477

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN1993 .D475 2022

Online resources:

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Available additional physical forms:

Contents:

1. Lordon and the 2008 Crisis -- D'un retournement l'autre -- 'Une image bien choisie qui fait bouillir les sangs': Images and Affects -- Lordon, Images and Committed Art -- The Anarchic Condition -- 2. The Saints of the Crisis: Larnaudie and Stiegler in the Oversight Committee Room -- Les Effondres and the Collapse of Market Ideology -- Greenspan before Congress -- Proletarisation and Transvaluation -- 3. The Derivative in Film and Literary Theory -- Derivatives and Nonknowledge -- Derivative Images -- Is the Psyche a Market? -- Derivative Creativity -- Conclusion -- 4. Trading in Images: The Case of Kerviel -- Screens within Screens -- Kerviel at Societe Generale -- Trading as metier, the Trader as Functionary -- Suicide and Societe Generale -- 5. Derivative Films -- Effacing the Visual Currency: The Fountainhead -- 'L'argent est un bien public': Film Socialisme -- 'The images are there for the taking': Film Catastrophe -- 6. Dreaming Futures -- Argent and Value -- 'Fin de regne': Rever sous le capitalisme -- 'Ca imprime, ca imprime': L'Epoque, Escaparates

Select Bibliography -- Select Filmography -- Index

Subject: A theoretical, interdisciplinary reading of French film and literary texts inspired by the 2008 global financial crisis.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN1993.5.8 (Browse shelf(Opens below))	Link to resource	Available		on1328035731

Includes bibliographical references.

Introduction: The 2008 Financial Crisis, Film and Literature -- 1. Lordon and the 2008 Crisis -- D'un retournement l'autre -- 'Une image bien choisie qui fait bouillir les sangs': Images and Affects -- Lordon, Images and Committed Art -- The Anarchic Condition -- 2. The Saints of the Crisis: Larnaudie and Stiegler in the Oversight Committee Room -- Les Effondres and the Collapse of Market Ideology -- Greenspan before Congress -- Proletarisation and Transvaluation -- 3. The Derivative in Film and Literary Theory -- Derivatives and Nonknowledge -- Derivative Images -- Is the Psyche a Market? -- Derivative Creativity -- Conclusion -- 4. Trading in Images: The Case of Kerviel -- Screens within Screens -- Kerviel at Societe Generale -- Trading as metier, the Trader as Functionary -- Suicide and Societe Generale -- 5. Derivative Films -- Effacing the Visual Currency: The Fountainhead -- 'L'argent est un bien public': Film Socialisme -- 'The images are there for the taking': Film Catastrophe -- 6. Dreaming Futures -- Argent and Value -- 'Fin de regne': Rever sous le capitalisme -- 'Ca imprime, ca imprime': L'Epoque, Escaparates

Conclusion: Ambivalences of the Derivative -- Select Bibliography -- Select Filmography -- Index

A theoretical, interdisciplinary reading of French film and literary texts inspired by the 2008 global financial crisis.

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