Shakespeare's big men : tragedy and the problem of resentment / Richard van Oort.

By:

Van Oort, Richard [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781442622166

Other title:

Big men

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PR2992 .S535 2016

Online resources:

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Available additional physical forms:

Subject: Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social function of tragedy: to defer our resentment against the "big men" who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist's resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare's plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience."--

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PR2992.28 (Browse shelf(Opens below))	Link to resource	Available		ocn951975927

Includes bibliographies and index.

Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social function of tragedy: to defer our resentment against the "big men" who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist's resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare's plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience."--

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