Naming violence : a critical theory of genocide, torture, and terrorism / Mathias Thaler.
Material type: TextSeries: New directions in critical theoryPublication details: New York : Columbia University Press 2018.Description: 1 online resource (x, 236 pages)Content type:- text
- computer
- online resource
- 9780231547680
- JC328 .N365 2018
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | JC328.6 (Browse shelf(Opens below)) | Link to resource | Available | on1048897947 |
Includes bibliographies and index.
Frontmatter -- Contents -- Acknowledgments -- 1. POLITICAL THEORY BETWEEN MORALISM AND REALISM -- 2. TELLING STORIES: ON ART'S ROLE IN DISPELLING GENOCIDE BLINDNESS -- 3. HOW TO DO THINGS WITH HYPOTHETICALS: ASSESSING THOUGHT EXPERIMENTS ABOUT TORTURE -- 4. GENEALOGY AS CRITIQUE: PROBLEMATIZING DEFINITIONS OF TERRORISM -- 5. THE CONCEPTUAL TAPESTRY OF POLITICAL VIOLENCE -- Notes -- Bibliography -- Index
Much is at stake when we choose a word for a form of violence: whether a conflict is labeled civil war or genocide, whether we refer to "enhanced interrogation techniques" or to "torture," whether a person is called a "terrorist" or a "patriot." Do these decisions reflect the rigorous application of commonly accepted criteria, or are they determined by power structures and partisanship? How is the language we use for violence entangled with the fight against it?In Naming Violence, Mathias Thaler articulates a novel perspective on the study of violence that demonstrates why the imagination matters for political theory. His analysis of the politics of naming charts a middle ground between moralism and realism, arguing that political theory ought to question whether our existing vocabulary enables us to properly identify, understand, and respond to violence. He explores how narrative art, thought experiments, and historical events can challenge and enlarge our existing ways of thinking about violence. Through storytelling, hypothetical situations, and genealogies, the imagination can help us see when definitions of violence need to be revisited by shedding new light on prevalent norms and uncovering the contingent history of ostensibly self-evident beliefs. Naming Violence demonstrates the importance of political theory to debates about violence across a number of different disciplines from film studies to history.
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