Divided Fictions Fanny Burney and Feminine Strategy.
Material type: TextPublication details: Lexington : The University Press of Kentucky, (c)1987.Description: 1 online resource (248 pages)Content type:- text
- computer
- online resource
- 9780813149721
- PR3316 .D585 1987
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PR3316.4 (Browse shelf(Opens below)) | Link to resource | Available | ocn900343878 |
Description based upon print version of record.
Includes bibliographies and index.
Cover; Title; Copyright; Contents; Acknowledgments; 1. Critical Methods and Historical Contexts; 2. Evelina: Gulphs, Pits, and Precipices; 3. Evelina: Marriage as the Dangerous Die; 4. Evelina: Trivial Pursuits; 5. Cecilia: Love and Work; 6. The Receptive Reader and Other Necessary Fictions; 7. Camilla and The Wanderer: Male Authority and Impotence; Notes; Index; A; B; C; D; E; F; G; H; I; J; I; K; L; M; N; O; P; R; S; T; V; W; Z
Today Fanny Burney's venture into authorship would not be questionable. She was, after all, a daughter of a celebrated musician, and the Burney family was know to the circle of Samuel Johnson and Hester Thrale. Yet as Kristina Straub ably shows, the public recognition which followed the publication of her first novel placed Fanny Burney in a situation of disturbing ambiguity. Did she become famous or notorious? Was she a prodigy or a freak? In this study of Burney, Straub not only describes and analyzes the disturbing transition of a writer's self-awareness as a woman and a literary artist fro.
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