Sound Art and Music Philosophy, Composition, Performance.

By:

Dack, John [Author]

Contributor(s):

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781527562042

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

ML3849 .S686 2020

Online resources:

Click to access digital title | log in using your CIU ID number and my.ciu.edu password.

Available additional physical forms:

Contents:

Table of Contents -- List of Figures, Tables and Examples -- Foreword -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Colour Centrefold -- Chapter Six -- Chapter Seven -- Chapter Eight -- Chapter Nine -- Chapter Ten -- Chapter Eleven -- Chapter Twelve -- Contributors -- Index

Subject: This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound art and music. It reveals how practices and theories associated with these art forms frequently result in corroboration, and contains chapters from both practitioners and theoreticians who work in areas where innovative synergies between sound art and music can be identified. Although practice and theory are inseparable, discourses surrounding practice are elusive but informative, and, as such, are given particular recognition and exploration in this volume. Taken as a whole, the book provides a s.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	ML3849 (Browse shelf(Opens below))	Link to resource	Available		on1224369284

Description based upon print version of record.

Includes bibliographies and index.

This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound art and music. It reveals how practices and theories associated with these art forms frequently result in corroboration, and contains chapters from both practitioners and theoreticians who work in areas where innovative synergies between sound art and music can be identified. Although practice and theory are inseparable, discourses surrounding practice are elusive but informative, and, as such, are given particular recognition and exploration in this volume. Taken as a whole, the book provides a s.

Intro -- Table of Contents -- List of Figures, Tables and Examples -- Foreword -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Colour Centrefold -- Chapter Six -- Chapter Seven -- Chapter Eight -- Chapter Nine -- Chapter Ten -- Chapter Eleven -- Chapter Twelve -- Contributors -- Index

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