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In/visible war : America's twenty-first-century armed conflicts / edited by Jon Simons and John Louis Lucaites.

Contributor(s): Material type: TextTextSeries: War culturePublication details: New Brunswick, NJ : Rutgers University Press, (c)2017.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813585406
Other title:
  • Invisible war
Subject(s): Genre/Form: LOC classification:
  • P96 .I585 2017
Online resources: Available additional physical forms:
Contents:
John Louis Lucaites and Jon Simons -- Seeing war. How photojournalism has framed the war in Afghanistan / David Campbell -- Returning soldiers and the in/visibility of combat trauma / Christopher J. Gilbert and John Louis Lucaites -- (Re)fashioning PTSD's warrior project / Jeremy G. Gordon -- Unremarkable suffering: banality, spectatorship, and war's in/visibilities / Rebecca A. Adelman and Wendy Kozol -- Transitio. "War is fun," a photo essay / by Nina Berman -- Laying Bin Laden to rest: a case study of terrorism and the politics of visibility / Jody Madeira -- Not seeing war. Digital war and the public mind: call of duty reloaded, decoded / Roger Stahl -- A cinema of consolation: post-9/11 super invasion fantasy / De Witt Douglas Kilgore -- Differential configurations: in/visibility through the lens of Kathryn Bigelow's The hurt locker (2008) / Claudia Breger -- Canine rescue, civilian casualties, and the long Gulf War / Purnima Bose -- Theorizing the in/visibility of war. The in/visibility of liberal peace: perpetual peace and enduring freedom / Jon Simons -- Why war? Baudrillard, Derrida, and the absolute televisual image / Diane Rubenstein -- War in the twenty-first century: visible, invisible or superpositional? / James Der Derian.
Subject: "In/Visible War addresses a paradox of twenty-first-century American warfare. The contemporary visual American experience of war is ubiquitous and utterly present in public, popular culture, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of 21st century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network. This book asks: What is the significance of this simultaneous in/visibility of war? How do militaristic spectacles serve to hide war's costs while simultaneously representing war? How does the in/visibility of war articulate with other structures, processes and practices of social power? Does critical dissent from war depend on other ways of seeing war and rendering it visible?"--Provided by publisher.
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction P96.352 (Browse shelf(Opens below)) Link to resource Available ocn987474119

"In/Visible War addresses a paradox of twenty-first-century American warfare. The contemporary visual American experience of war is ubiquitous and utterly present in public, popular culture, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of 21st century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network. This book asks: What is the significance of this simultaneous in/visibility of war? How do militaristic spectacles serve to hide war's costs while simultaneously representing war? How does the in/visibility of war articulate with other structures, processes and practices of social power? Does critical dissent from war depend on other ways of seeing war and rendering it visible?"--Provided by publisher.

Includes bibliographies and index.

Introduction: the paradoxical in/visibility of war / John Louis Lucaites and Jon Simons -- Seeing war. How photojournalism has framed the war in Afghanistan / David Campbell -- Returning soldiers and the in/visibility of combat trauma / Christopher J. Gilbert and John Louis Lucaites -- (Re)fashioning PTSD's warrior project / Jeremy G. Gordon -- Unremarkable suffering: banality, spectatorship, and war's in/visibilities / Rebecca A. Adelman and Wendy Kozol -- Transitio. "War is fun," a photo essay / by Nina Berman -- Laying Bin Laden to rest: a case study of terrorism and the politics of visibility / Jody Madeira -- Not seeing war. Digital war and the public mind: call of duty reloaded, decoded / Roger Stahl -- A cinema of consolation: post-9/11 super invasion fantasy / De Witt Douglas Kilgore -- Differential configurations: in/visibility through the lens of Kathryn Bigelow's The hurt locker (2008) / Claudia Breger -- Canine rescue, civilian casualties, and the long Gulf War / Purnima Bose -- Theorizing the in/visibility of war. The in/visibility of liberal peace: perpetual peace and enduring freedom / Jon Simons -- Why war? Baudrillard, Derrida, and the absolute televisual image / Diane Rubenstein -- War in the twenty-first century: visible, invisible or superpositional? / James Der Derian.

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