Media of the masses : cassette culture in modern Egypt / Andrew Simon.
Material type: TextSeries: Publication details: Stanford, California : Stanford University Press, (c)2022.Description: 1 online resource (xiii, 279 pages) : illustrationsContent type:- text
- computer
- online resource
- 9781503631458
- TK7881 .M435 2022
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | TK7881.6 (Browse shelf(Opens below)) | Link to resource | Available | on1286070371 |
Includes bibliographies and index.
Selling : leisure, consumer culture, and material terrains -- Desiring : theft, smuggling, and the limits of the law -- Censuring : tapes, taste, and the creation of Egyptian culture -- Copying : piracy, cultural content, and sonorous circuits -- Subverting : Shaykh Imam, official stories, and counterhistories -- Archiving : microhistory and material traces of tapes past.
"Media of the Masses investigates the social life of an everyday technology--the cassette tape--to offer a multisensory history of modern Egypt. Over the 1970s and 1980s, cassettes became a ubiquitous presence in Egyptian homes and stores. Audiocassette technology gave an opening to ordinary individuals, from singers to smugglers, to challenge state-controlled Egyptian media. Enabling an unprecedented number of people to participate in the creation of culture and circulation of content, cassette players and tapes soon informed broader cultural, political, and economic developments and defined "modern" Egyptian households. Drawing on a wide array of audio, visual, and textual sources that exist outside the Egyptian National Archives, Andrew Simon provides a new entry point into understanding everyday life and culture. Cassettes and cassette players, he demonstrates, did not simply join other twentieth century mass media, like records and radio; they were the media of the masses. Comprised of little more than magnetic reels in plastic cases, cassettes empowered cultural consumers to become cultural producers long before the advent of the Internet. Positioned at the productive crossroads of social history, cultural anthropology, and media and sound studies, Media of the Masses ultimately shows how the most ordinary things may yield the most surprising insights"--
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