Alan Clarke

By:

Rolinson, Dave [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781847794383

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN1998 .A436 2005

Online resources:

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Available additional physical forms:

Contents:

Subject: The British television director Alan Clarke is primarily associated with the visceral social realism of such works as his banned borstal play 'Scum', and his study of football hooliganism, 'The Firm'. This book uncovers the full range of his work from the mythic fantasy of Penda?s Fen, to the radical short film on terrorism, 'Elephant'. Dave Rolinson uses original research to examine the development of Clarke?s career from the theatre and the?studio system? of provocative television play strands of the 1960s and 1970s, to the increasingly personal work of the 1980s, which established him as o.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN1998.3.6613 R66 2005 (Browse shelf(Opens below))	Link to resource	Available		ocn818847469

Includes bibliographies and index.

Copyright; Contents; General editors' preface; Acknowledgements; Introduction; 1. The director in television's'studio system'; 2. Realism and censorship in the 1970s; 3. Form and narrative in the 1980s; Conclusion; Appendix: television programmes directed by Alan Clarke; Bibliography; Index.

The British television director Alan Clarke is primarily associated with the visceral social realism of such works as his banned borstal play 'Scum', and his study of football hooliganism, 'The Firm'. This book uncovers the full range of his work from the mythic fantasy of Penda?s Fen, to the radical short film on terrorism, 'Elephant'. Dave Rolinson uses original research to examine the development of Clarke?s career from the theatre and the?studio system? of provocative television play strands of the 1960s and 1970s, to the increasingly personal work of the 1980s, which established him as o.

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