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On Ibsen and Strindberg The Reversed Telescope.

By: Material type: TextTextPublication details: Newcastle-upon-Tyne : Cambridge Scholars Publishing, (c)2019.Description: 1 online resource (131 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781527520646
Subject(s): Genre/Form: LOC classification:
  • PT8895 .O553 2019
Online resources: Available additional physical forms:
Contents:
Subject: This book adopts a comparative approach to examine some curious and original aspects of the dramaturgy and the scenic conception of two great Nordic writers, Henrik Ibsen and August Strindberg. As far as Ibsen is concerned, the book looks at the connection between his works and the European Risorgimenti, the anthropological relationship with the rites and atmospheres of Southern Italy, and the problematic link with theatrical tradition. With regards to Strindberg, light is shed on his intense identification with Euripides, but also with his ""enemy"" Ibsen, and his interest in modern theatrica.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PT8895 (Browse shelf(Opens below)) Link to resource Available on1080083907

Description based upon print version of record.

Includes bibliographies and index.

Intro; Table of Contents; Preface; List of Abbreviations; Chapter One; Chapter Two; Chapter Three; Chapter Four; Chapter Five; Chapter Six; Chapter Seven; Chapter Eight; Chapter Nine; Bibliography; Index

This book adopts a comparative approach to examine some curious and original aspects of the dramaturgy and the scenic conception of two great Nordic writers, Henrik Ibsen and August Strindberg. As far as Ibsen is concerned, the book looks at the connection between his works and the European Risorgimenti, the anthropological relationship with the rites and atmospheres of Southern Italy, and the problematic link with theatrical tradition. With regards to Strindberg, light is shed on his intense identification with Euripides, but also with his ""enemy"" Ibsen, and his interest in modern theatrica.

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