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The Corporeal Image Film, Ethnography, and the Senses.

By: Material type: TextTextPublication details: Princeton : Princeton University Press, (c)2005.Description: 1 online resource (329 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781400831562
Subject(s): Genre/Form: LOC classification:
  • GN347 .C677 2005
Online resources: Available additional physical forms:
Contents:
Subject: In this book, David MacDougall, one of the leading ethnographic filmmakers and film scholars of his generation, builds upon the ideas from his widely praised Transcultural Cinema and argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words. In ten chapters, MacDougall explores the relations between photographic images and the human body-the body of the viewer and the body behind the camera as well as the body as seen in ethnography, cinema, and photography. In a landmark piece, he discusses.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction GN347 .32 2006 (Browse shelf(Opens below)) Link to resource Available ocn860625950

Description based upon print version of record.

Cover; Title; Copyright; Dedication; CONTENTS; Illustrations; Acknowledgments; INTRODUCTION: Meaning and Being; PART I: MATTER AND IMAGE; 1 The Body in Cinema; 2 Voice and Vision; PART II: IMAGES OF CHILDHOOD; 3 Films of Childhood; 4 Social Aesthetics and the Doon School; 5 Doon School Reconsidered; PART III: THE PHOTOGRAPHIC IMAGINATION; 6 Photo Hierarchicus: Signs and Mirrors in Indian Photography; 7 Staging the Body: The Photography of Jean Audema; PART IV: THE ETHNOGRAPHIC IMAGINATION; 8 The Visual in Anthropology; 9 Anthropology's Lost Vision; 10 New Principles of Visual Anthropology

In this book, David MacDougall, one of the leading ethnographic filmmakers and film scholars of his generation, builds upon the ideas from his widely praised Transcultural Cinema and argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words. In ten chapters, MacDougall explores the relations between photographic images and the human body-the body of the viewer and the body behind the camera as well as the body as seen in ethnography, cinema, and photography. In a landmark piece, he discusses.

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