Hamlet and the baker's son my life in theatre and politics / Augusto Boal ; translated by Adrian Jackson and Candida Blaker.
Material type: TextLanguage: English Original language: Portuguese Publication details: London ; New York : Routledge, (c)2001.Description: 1 online resource (xv, 366 pages) : illustrationsContent type:- text
- computer
- online resource
- 9781135127688
- PN2474 .H365 2001
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PN2474.63 (Browse shelf(Opens below)) | Link to resource | Available | ocn826652765 |
Includes bibliographies and index.
Introduction ---- 1. The landscape, the family --- 2. A long time ago, I was a boy --- 3. In the arena of Arena --- 4. War declared, inside and outside of me --- 5. Exile, banishment, palm trees, birdsong --- 6. The impossible return and the strangeness of the familiar.
Hamlet and the Baker's Son is the autobiography of Augusto Boal, inventor of the Forum Theatre system, and 'Theatre of the Oppressed' and author of Games for Actors and Non-Actors and Legislative Theatre.
Hamlet and the Baker's Son is the autobiography of Augusto Boal, inventor of the internationally renowned Forum Theatre system, and 'Theatre of the Oppressed' and author of Games for Actors and Non-Actors and Legislative Theatre. Continuing to travel the world giving workshops and inspiration to teachers, prisoners, actors and care-workers, Augusto Boal is a visionary as well as a product of his times - the Brazil of military dictatorship and artistic and social repression and was once imprisoned for his subversive activities. From his early days in Brazil's political theatre movement to his recent experiments with theatre as a democratic political process, Boal's story is a moving and memorable one. He has devised a unique way of using the stage to empower the disempowered, and taken his methods everywhere from the favelas of Rio to the rehearsal studios of the Royal Shakespeare Company. --
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