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Onnagata : a labyrinth of gendering in kabuki theater / Maki Isaka.

By: Material type: TextTextPublication details: Seattle : University of Washington Press, (c)2015.Description: 1 online resource (xvi, 256 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780295806242
Subject(s): Genre/Form: LOC classification:
  • PN2924 .O563 2015
Online resources: Available additional physical forms:
Contents:
Introduction: a labyrinth of onnagata -- Geneses of a maze: androgyne fatale -- Femininity inside out: onnagata who pass -- Denial of transience: forfeiting the androgynous charm -- Prescription for femininity: onnagata who pass -- Canonization: creating onnagata traditions -- Femininity in circulation: texts in kabuki, kabuki in texts -- Marginalized centers: bodies and personnel -- Naturally disciplined: moving real on procrustean beds -- Female onnagata in the porous labyrinth: the enunciated femininity and the enunciating masculinity -- Origins of onnagata: modern reformation -- Toward contemporary onnagata: art in their blood -- Epilogue: the journey continues.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN2924.5.3 (Browse shelf(Opens below)) Link to resource Available ocn935325375

Includes bibliographies and index.

Fundamentals: invitation to labyrinths of gendering -- Introduction: a labyrinth of onnagata -- Geneses of a maze: androgyne fatale -- Femininity inside out: onnagata who pass -- Denial of transience: forfeiting the androgynous charm -- Prescription for femininity: onnagata who pass -- Canonization: creating onnagata traditions -- Femininity in circulation: texts in kabuki, kabuki in texts -- Marginalized centers: bodies and personnel -- Naturally disciplined: moving real on procrustean beds -- Female onnagata in the porous labyrinth: the enunciated femininity and the enunciating masculinity -- Origins of onnagata: modern reformation -- Toward contemporary onnagata: art in their blood -- Epilogue: the journey continues.

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