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Buddhist Visual Cultures, Rhetoric, and Narrative in Late Burmese Wall Paintings.

By: Contributor(s): Material type: TextTextPublication details: HK : Hong Kong University Press, (c)2018.Description: 1 online resource (249 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789882204850
  • 9882204856
Subject(s): Genre/Form: LOC classification:
  • ND2833 .B833 2018
Online resources: Available additional physical forms:
Contents:
Subject: Step into a Burmese temple built between the late seventeenth and early nineteenth centuries and you are surrounded by a riot of color and imagery. The majority of the highly detailed wall paintings displays Buddhist biographical narratives, inspiring the devotees to follow the Buddha's teachings. Alexandra Green goes one step further to consider the temples and their contents as a whole, arguing that the wall paintings mediate the relationship between the architecture and the main Buddha statues in the temples. This forges a unified space for the devotees to interact with the Buddha and his c.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction ND2833.6 (Browse shelf(Opens below)) Link to resource Available on1031966695

Includes bibliographies and index.

Intro; Contents; Acknowledgments; Introduction; 1. A Formula to Honor the Buddha; 2. Presence and Memory; 3. Art as Action; 4. Word and Image; Conclusion; Appendix of Late Sites; Glossary; Bibliography; Index.

Step into a Burmese temple built between the late seventeenth and early nineteenth centuries and you are surrounded by a riot of color and imagery. The majority of the highly detailed wall paintings displays Buddhist biographical narratives, inspiring the devotees to follow the Buddha's teachings. Alexandra Green goes one step further to consider the temples and their contents as a whole, arguing that the wall paintings mediate the relationship between the architecture and the main Buddha statues in the temples. This forges a unified space for the devotees to interact with the Buddha and his c.

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