Renascent Joyce /edited by Daniel Ferrer, Sam Slote, and André Topia ; foreword by Sebastian D.G. Knowles.
Material type: TextSeries: Publication details: Gainesville : University Press of Florida, (c)2013.Description: 1 online resourceContent type:- text
- computer
- online resource
- 9780813042671
- PR6019 .R463 2013
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PR6019.9 (Browse shelf(Opens below)) | Link to resource | Available | ocn826659786 |
Includes bibliographies and index.
Introduction / Daniel Ferrer, Sam Slote, and André Topia -- 1. "Another victory like that and we are done for": Return and repression of a Greek spirit in modernism / Philippe Birgy -- 2. Textual atomism in Finnegans Wake / Jonathan Pollock -- 3. James Joyce and Giordano Bruno: an "immarginable" and interdisciplinary dialogue / Federico Sabatini -- 4. The dream and the wake: an alchemy of words and scenes in the Hypnerotomachia Poliphili and Finnegans Wake / Tracey Eve Winton -- 5. "As great Shapesphere puns it": the name game in Shakespeare and Joyce / François Laroque -- 6. "Marked you that?": Stephen Dedalus, Pierrot / Maria-Daniella Dick -- 7. The ass dreams of Shaun's bottomless heart: Shakespeare and the dream-work in Finnegans Wake 403-407 / Jim LeBlanc -- 8. "The imprevidibility of the future": on Joycean prophecy / Paul K. Saint-Amour -- 9. Scribbling into eternity: Paris, Proust, "Proteus" / Christine Froula -- 10. Joyce's hand in the first French translation of Ulysses / Liliane Rodriguez -- 11. Joyce's dictionnaire des idiotismes reus: comparing the 1929 and 2004 translations of "Eumaeus" / Robert Byr.
An edited volume examining the many ways in which Joyce exhibits Renaissance tendencies, comparing him with major Renaissance figures, such as Shakespeare, Rabelais, and Bruno.
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