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Left of poetry : Depression America and the formation of modern poetics / Sarah Ehlers.

By: Material type: TextTextPublication details: Chapel Hill : University of North Carolina Press, (c)2019.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781469651309
  • 9781469651293
Subject(s): Genre/Form: LOC classification:
  • PS324 .L448 2019
Online resources: Available additional physical forms:
Contents:
Subject: "In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes and Muriel Rukeyser, and uncovering the contributions of lesser-known writers such as Jacques Roumain, Genevieve Taggard, and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements"--
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PS324 (Browse shelf(Opens below)) Link to resource Available on1097184133

Includes bibliographies and index.

"In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes and Muriel Rukeyser, and uncovering the contributions of lesser-known writers such as Jacques Roumain, Genevieve Taggard, and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements"--

Cover; Contents; List of Illustrations; Acknowledgments; Introduction: The Poetic Front; Part I: Documentary; Chapter One: Photography and the Development of Radical Poetics: Langston Hughes in Haiti, Mexico, Alabama; Chapter Two: Fusing an Alloy: Muriel Rukeyser at the Limits of Poetry/Documentary; Part II: Lyric; Chapter Three: Lyric Effects: Singing the Futures of Poetry with Genevieve Taggard and Edwin Rolfe; Chapter Four: Lyric Internationalism: Jacques Roumain and His Committee; Part III: Rhythm

Chapter Five: The Left Needs Rhythm: Popular Front Poetry, Antifascism, and the Counterarchives of ModernismEpilogue; Notes; Bibliography; Text Credits; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z

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