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Audio-vision : sound on screen / Michel Chion ; edited and translated by Claudia Gorbman

By: Contributor(s): Material type: TextTextLanguage: English Original language: French Publication details: New York : Columbia University Press, (c)2019.Edition: Second edition.itionDescription: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780231546379
Subject(s): Genre/Form: LOC classification:
  • PN1995 .A935 2019
Online resources: Available additional physical forms:
Contents:
The three listening modes -- Lines and points: horizontal and vertical perspectives on audiovisual relations -- The audiovisual scene -- The real and the rendered -- Sound films, worthy of the name -- Toward an audio-logo-visual poetics -- An introduction to audiovisual analysis
Subject: "In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television"--
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1995.7 (Browse shelf(Opens below)) Link to resource Available on1051777392

Translation of: L'audio-vision : son et image au cinéma

"In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television"--

Projections of sound on image -- The three listening modes -- Lines and points: horizontal and vertical perspectives on audiovisual relations -- The audiovisual scene -- The real and the rendered -- Sound films, worthy of the name -- Toward an audio-logo-visual poetics -- An introduction to audiovisual analysis

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