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Beckett's Dantes Intertextuality in the fiction and criticism.

By: Material type: TextTextPublication details: Manchester : Manchester University Press, (c)2006.Description: 1 online resource (241 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781847793652
Subject(s): Genre/Form: LOC classification:
  • PR6003 .B435 2006
Online resources: Available additional physical forms:
Contents:
Subject: Beckett's Dantes: Intertextuality in the fiction and criticism is the first study in English on the literary relationship between Beckett and Dante. It is an innovative reading of Samuel Beckett and Dante's works and a critical engagement with contemporary theories of intertextuality. The volume interprets Dante in the original Italian (as it appears in Beckett), translating into English all Italian quotations. It benefits from a multilingual approach based on Beckett's published works in English and French, and on manuscripts (which use English, French, German and Italian). The book is aimed a.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PR6003.282 (Browse shelf(Opens below)) Link to resource Available ocn818847234

Includes bibliographies and index.

9780719071560; 9780719071560; Copyright Page; Contents; Acknowledgements; Introduction; Dantes in Limbo; Detecting Dante in Joyce; Recycling Dante in Proust; Belacqua does not observe 'the rule of the road'; There is no real Belacqua in Dream; Dante and Mr Beckett; Sordello is in the shade; Strata and mysteries: intratextuality in More Pricks Than Kicks; Quick deaths; Screechy flatfooted Tuscany peacocks; Fatigue and disgust: Murphy and Watt; Dante is kept out of sight: Murphy and the manuscripts; Addenda and excorporations; Who is the third beside you? Authority in Mercier and Camier.

Vague shadowy shapesNo quotes at any price; Déjà vu beyond reach: from the Novellas to the Three Novels; The calmative effect of one's classics; Odds and ends; Bits and scraps flickering on and off; Staging the Inferno in How It Is; A voice comes to one in the dark; 'E fango è il mondo': the Inferno performed; Geometries of passion; The witness and the scribe; 'In the words of the poet': The Lost Ones; Ravening eyes; Closed places; The sun and other stars would still be shining; Conclusion Farewell to the old lutist; Bibliography; Index.

Beckett's Dantes: Intertextuality in the fiction and criticism is the first study in English on the literary relationship between Beckett and Dante. It is an innovative reading of Samuel Beckett and Dante's works and a critical engagement with contemporary theories of intertextuality. The volume interprets Dante in the original Italian (as it appears in Beckett), translating into English all Italian quotations. It benefits from a multilingual approach based on Beckett's published works in English and French, and on manuscripts (which use English, French, German and Italian). The book is aimed a.

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