Robert Morris /edited by Julia Bryan-Wilson.

Contributor(s):

Bryan-Wilson, Julia []

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781461937135
9780262316507

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

N6537 .R634 2013

Online resources:

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Available additional physical forms:

Contents:

-- Notes on Dance (1965) / Robert Morris -- Robert Morris -- An Aesthetics of Transgression (1969) / Annette Michelson -- Conversation with Robert Morris in 1985 (1994) / Benjamin H.D. Buchloh -- Mind/Body Problem: Robert Morris in Series (1994) / Rosalind Krauss -- Reception of the Sixties (1994) / Benjamin H.D. Buchloh -- Robert Morris and John Cage: Reconstructing a Dialogue (1997) / Branden W. Joseph -- Minding the Body: Robert Morris's 1971 Tate Gallery Retrospective (1999) / Jon Bird -- Robert Morris's Art Strike (2009) / Julia Bryan-Wilson.

Subject: Essays, an interview, and a roundtable discussion on the work of one of the most influential American artists of the postwar period. This October Files volume gathers essays, an interview, and a roundtable discussion on the work of Robert Morris, one of the most influential American artists of the postwar period. It includes a little-known text on dance by Morris himself and a never-before-anthologized but influential catalog essay by Annette Michelson. Often associated with minimalism, Morris (born 1931) also created important works that involved dance, process art, and conceptualism. The texts in this volume focus on Morris's early work and include an examination of a 1971 Tate retrospective by Jon Bird, an interview with the artist by Benjamin Buchloh, a conversation from a 1994 issue of October about resistance to 1960s art, and an essay by this volume's editor, Julia Bryan-Wilson, on the labor involved in installing the massive works in Morris's 1970 solo exhibition at the Whitney. Spanning 1965 to 2009, these writings map the evolution of critical thought on Morris over more than four decades.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	N6537.654 (Browse shelf(Opens below))	Link to resource	Available		ocn856411642

Includes bibliographies and index.

Essays, an interview, and a roundtable discussion on the work of one of the most influential American artists of the postwar period. This October Files volume gathers essays, an interview, and a roundtable discussion on the work of Robert Morris, one of the most influential American artists of the postwar period. It includes a little-known text on dance by Morris himself and a never-before-anthologized but influential catalog essay by Annette Michelson. Often associated with minimalism, Morris (born 1931) also created important works that involved dance, process art, and conceptualism. The texts in this volume focus on Morris's early work and include an examination of a 1971 Tate retrospective by Jon Bird, an interview with the artist by Benjamin Buchloh, a conversation from a 1994 issue of October about resistance to 1960s art, and an essay by this volume's editor, Julia Bryan-Wilson, on the labor involved in installing the massive works in Morris's 1970 solo exhibition at the Whitney. Spanning 1965 to 2009, these writings map the evolution of critical thought on Morris over more than four decades.

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