TY  - BOOK
AU  - Anderson,Joseph
AU  - Anderson,Barbara Fisher
TI  - Moving image theory: ecological considerations 
SN  - 9780809387571
AV  - PN1995 .M685 2007
PY  - 2007///
CY  - Carbondale
PB  - Southern Illinois University Press
KW  - Motion pictures
KW  - Psychological aspects
KW  - Motion picture audiences
KW  - Psychology
KW  - Electronic Books
N1  - 2; Part One. Information Available in Moving Images: 1. Perceiving Scenes in Film and in the World; James E. Cutting ; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art; Robert E. Shaw and William M. Mace --; Part Two. Perception of Simulated Human Motion: 3. Creating Realistic Motion; Jessica K. Hodgins, James F. O'Brien, Nancy S. Pollard, Robert Sumner, Wayne L. Wooten, Gary Yngve, and Victor Zordan ; 4. Perceiving Human Motion in Synthesized Images; Joseph D. Anderson and Jessica K. Hodgins --; Part Three. Acoustic Events: 5. Background Tracks in Recent Cinema; Charles Eidsvik ; 6. Acoustic Specification of Object Properties; Claudia Carello, Jeffrey B. Wagman, and Michael T. Turvey --; Part Four. Information in Facial Expression: 7. Three Views of Facial Expression and Its Understanding in the Cinema; Ed S. Tan ; 8. Facial Motion as a Cue to Identity; Karen Lander and Vicki Bruce --; Part Five. Coupling of Perception and Emotion: 9. Film Lighting and Mood; Torben Kragh Grodal ; 10. Cinematic Creation of Emotion; Dolf Zillmann --; Part Six. Appeals of Reality-Based Moving Images: 11. Documentary's Peculiar Appeals; Dirk Eitzen ; 12. Reality Programming: Evolutionary Models of Film and Television Viewership; William Evans --; Part Seven. Events, Symbols, and Metaphors: 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality; Sheena Rogers ; 14. Metaphors in Movies; John M. Kennedy and Dan Chiappe; 2; b
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