TY  - BOOK
AU  - Garcia,Jay
TI  - Psychology Comes to Harlem: Rethinking the Race Question in Twentieth-Century America 
T2  - New studies in American intellectual and cultural history
SN  - 9781421405414
AV  - PS153 .P793 2012
PY  - 2012///
CY  - Baltimore
PB  - Johns Hopkins University Press
KW  - Baldwin, James,
KW  - Wright, Richard,
KW  - African Americans
KW  - Intellectual life
KW  - 20th century
KW  - American literature
KW  - African American authors
KW  - History and criticism
KW  - Electronic Books
N1  - 2; Richard Wright and the "the unconscious machinery of race relations" --; Richard Wright reading: the promise of social psychiatry --; "The problem of race and minorities from below": the wartime cultural criticism of Chester Himes, Horace Cayton, Ralph Ellison and C.L.R. James --; Strange fruit: Lillian Smith and the making of whiteness --; Notes of a native son: James Baldwin in postwar America; 2; b
N2  - "In the years preceding the modern civil rights era, cultural critics profoundly affected American letters through psychologically informed explorations of racial ideology and segregationist practice. Jay Garcia's probing look at how and why these critiques arose and the changes they wrought demonstrates the central role Richard Wright and his contemporaries played in devising modern antiracist cultural analysis. Departing from the largely accepted existence of a "Negro Problem," Wright and such literary luminaries as Ralph Ellison, Lillian Smith, and James Baldwin described and challenged a racist social order whose psychological undercurrents implicated all Americans and had yet to be adequately studied. Motivated by the elastic possibilities of clinical and academic inquiry, writers and critics undertook a rethinking of "race" and assessed the value of psychotherapy and psychological theory as antiracist strategies. Garcia examines how this new criticism brought together black and white writers and became a common idiom through fiction and nonfiction that attracted wide readerships. An illuminating picture of mid-twentieth-century American literary culture and intellectual life, Psychology Comes to Harlem reveals the critical and intellectual innovation of literary artists who bridged psychology and antiracism to challenge segregation."--Project Muse
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=590699&site=eds-live&custid=s3260518
ER  -