Michael Psellos rhetoric and authorship in Byzantium /
Stratis Papaioannou.
- Cambridge : Cambridge University Press, (c)2013.
- 1 online resource (pages cm.)
Includes bibliographies and index.
Machine generated contents note: Introduction; Part I. The Professional Rhetor and Theory of Authorship: 1. The philosopher's rhetoric; 2. The rhetor as creator: Psellos on Gregory of Nazianzos; 3. The return of the poet: mimesis and the aesthetics of variation; Part II. Self-Representation: 4. Aesthetic charm and urbane ethos; 5. The statue's smile: discourses of Hellenism; 6. Female voice: gender and emotion; Conclusion: from rhetoric to literature; Appendix: books and readers in the reception of Psellos.
"This book explores Michael Psellos' place in the history of Greek rhetoric and self-representation and his impact on the development of Byzantine literature. Avoiding the modern dilemma that vacillates between Psellos the pompous rhetorician and Psellos the ingenious thinker, Professor Papaioannou unravels the often misunderstood Byzantine rhetoric, its rich discursive tradition, and the social fabric of elite Constantinopolitan culture which rhetoric addressed. The book offers close readings of Psellos' personal letters, speeches, lectures, and historiographical narratives, and analysis of other early Byzantine and classical models of authorship in Byzantine book culture, such as Gregory of Nazianzos, Synesios of Cyrene, Hermogenes, and Plato. It also details Psellos' innovative attention to authorial creativity, performative mimesis, and the aesthetics of the self. Simultaneously, it traces within Byzantium complex expressions of emotion and gender, notions of authorship and subjectivity, and theories of fictionality and literature, challenging the common fallacy that these are modern inventions"--