Representation in western musicedited by Joshua S. Walden. 

 - New York :  Cambridge University Press,  (c)2013. 
 - 1 online resource (xv, 316 pages) :  illustrations. 
<br/><br/>Includes bibliographies and index. 
<br/><br/>Layers of representation in nineteenth-centry genres : the case of one Brahms ballade /  'As a stranger give it welcome' : musical meanings in 1830s London /  'Music is obscure' : textless Soviet works and their phantom programmes /  Representing Arlen /  Video cultures : 'Bohemian Rhapsody', Wayne's World, and beyond /  'On wings of song' : representing music as agency in nineteenth-century culture /  Representation and musical portraiture in the twentieth century /  Representational conundrums : music and early modern dance /  Allusive representations : homoerotics in Wagner's Tristan /  Der Dichter spricht : self-representation in Parsifal /  Memory and the leitmotif in cinema /  Self-representation in music : the case of Hindemith's meta-opera Cardillac /  Doing more than representing western music /  The persistence of Orientalism in the postmodern operas of Adams and Sellars /  Matthew Gelbart --  Roger Parker --  Marina Frolova-Walker --  Walter Frisch --  Nicholas Cook --  Thomas Grey --  Joshua S. Walden --  Davinia Caddy --  Laurence Dreyfus --  Karol Berger --  Giorgio Biancorosso --  Hermann Danuser --  Rachel Beckles Willson --  W. Anthony Sheppard. 
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<br/><br/><label>ISBN: </label>9781107314320 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Music--Philosophy and aesthetics.<br/>Music--Social aspects.<br/>Mental representation.
<br/><br/><label>Index Terms--Genre/Form: </label><br/>Electronic Books.
<br/><br/><label>LC Class. No.: </label>ML3800  / .R477 2013