The Monarchia controversy : an historical study with accompanying translations of Dante Alighieri's Monarchia, Guido Vernani's Refutation of the Monarchia composed by Dante and Pope John XXII's bull, Si fratrum /
by Anthony K. Cassell.
- Washington, D.C. : Catholic University of America Press, (c)2004.
- 1 online resource (xii, 403 pages)
Includes bibliographies and index.
Contents -- Acknowledgments -- List of Abbreviations -- Dante�s Monarchia and Vernani�s Refutation in Context -- Prolegomena: The Crisis and Its Major Players -- 1. Tiara and Scepter -- 2. Dante in the Eye of the Storm -- The Logician and the Prophet -- Dante�s Forensic Procedure -- The Perils of Posthumous Burning -- The Early Manuscripts and the Fortune of the Monarchia -- Ecclesiastical Ambition, Terror, and Spleen -- 3. The Monarchia and Vernani�s Censures -- On Book 1 -- On Book 2 -- On Book 3 -- TRANSLATIONS OF THE TEXTS DANTE�S MonarchiaBook 1 -- Book 2 -- Book 3 -- VERNANI�S Refutation -- JOHN XXII�S Si fratrum -- Notes -- Bibliography -- Index
"The Monarchia Controversy provides both the background to the imperial and ecclesiastical machinations that drove Dante Alighieri to begin penning the Monarchia in 1318 and also the subsequent history of the efforts by papal authorities to ban the book after the writer's death. Dante's political treatise on the Empire and the Papacy was listed by the Church in the Index Librorum Prohibitorum in 1564, and it was removed only in 1881. Anthony Cassell's account of the Monarchia's genesis is both compelling and provoking, especially in the descriptions of the intransigence of Dante's proponents and antagonists. While earlier scholars have viewed Dante's treatise as peacefully divorced from its times, Cassell shows that Dante's pose of calm authority above the fray was at once traditional, forensic, courageous, and hard-won." "Cassell examines in close detail Dante's relations to his patron Can Grande della Scala, Pope John XXII's atempts to strip Can Grande of his privileges, the pertinent traditions of canon law, the culture of contemporary political and ecclesiastical publicists, the work of formal logicians, and the motives of Dante's first post-mortem opponent, Friar Guido Vernani. The author traces the treatise's reception through and beyond the first censorship and public burning that it suffered in Bologna at the hands of Cardinal Bertrand du Poujet in 1328." "To document the history, Cassell presents a fresh, annotated translation of the Monarchia, together with the first English versions of Guido Vernani's refutation of Dante's Monarchia (1329), and Pope John XXII's bull Si fratrum of 1316-17, which sparked the crisis."--Jacket
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212