TY - BOOK AU - Bauer,Dominique AU - Murgia,Camilla TI - The home, nations and empires, and ephemeral exhibition spaces: 1750-1918 T2 - Spatial imageries in historical perspective SN - 9789048542925 AV - T395 .H664 2021 KW - Exhibitions KW - History KW - Art KW - Exhibition techniques KW - Display of collectibles KW - Museum exhibits KW - Electronic Books N1 - 2; Introduction: Ephemeral exhibition spaces and the dynamic of historical liminalities; Dominique Bauer --; Panorama as critical restoration: examining the ephemeral space of Viollet-le-Duc's study at La Vedette; Aisling O'Carroll --; An ephemeral museum of decorative and industrial arts: Charles Albert's Vlaams Huis; Daniela N. Prina --; Expanfding interiors: architectural photographs of the Countess de Castiglione; Heidi Brevik-Zender --; The land that never was: liminality of existence and the imaginary spaces in the Archbishopric of Karlovci; Jelena Todorovic --; The theatre of affectionate hearts: Izabela Czartoryska's Musée des monuments polonais in Puławy (1801-1831); Michał Mencfel --; A burning mind, a dream space, a "fantastic exhibition"; Inessa Kouteinikova --; An ephemeral display within an ephemeral museum: the East India Company contribution to the Manchester Art Treasures Exhibition of 1857; Elizabeth A. Pergam --; Julia Margaret Cameron's railway station exhibition: a private gallery in the public sphere; Jeff Rosen --; Paper monument: the paradoxical space in the English paper peepshow of the Thames Tunnel, 1825-1843; Shijia Yu; 2; b N2 - "This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing." -- UR - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2920558&site=eds-live&custid=s3260518 ER -