TY  - BOOK
AU  - Curtis,Scott
AU  - Gauthier,Philippe
AU  - Gunning,Tom
AU  - Yumibe,Joshua
TI  - The image in early cinema: form and material 
T2  - Early Cinema in Review Ser
SN  - 9780253034427
AV  - PN1995 .I434 2018
PY  - 2018///
CY  - Bloomington, Indiana
PB  - Indiana University Press
KW  - Motion pictures
KW  - Philosophy
KW  - Motion pictures and the arts
KW  - Cinematography
KW  - Electronic Books
N1  - 2; Cover; Half title; Series Page; Title; Copyright; Contents; Introduction; Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style; Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions; Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation; Frank Gray; 4 Animating Antiquity; Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma; Jérémy Houillère; 6 De la presse illustrée à l'actualité filmée (1894-1910): l'émergence d'une nouvelle « culture visuelle de l'information »?; Rodolphe Gahéry7 From Pathé to Paramount: Visual Design in Movie Advertising to 1915; Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea; Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films; Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films; Florian Hoof; 11 Ruptured Perspectives: The "View," Early Special Effects, and Film History; Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema; Jelena Rakin; 13 The Color Image; Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany; Jörg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran; Kaveh Askari; 16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities; Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques; Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913); Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema; Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography; Charles Wolfe; 21 What is a Fake Image?; Frank Kessler and Sabine Lenk; 22 The Lantern Image between Stage and Screen; Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films; Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory; Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination; Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films; Martin L. Johnson; Appendix: Translations; 2; b
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