The image in early cinema :  form and material / 
edited by Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe. 
 - Bloomington, Indiana :  Indiana University Press,  (c)2018. 
 - 1 online resource (vii, 332 pages). 
 - Early Cinema in Review Ser. .
<br/><br/>Includes bibliographies and index. 
<br/><br/>Cover; Half title; Series Page; Title; Copyright; Contents; Introduction /  Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style /  Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions /  Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation /  Frank Gray; 4 Animating Antiquity /  Laura Horak; 5 Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinéma /  Jérémy Houillère 6 De la presse illustrée à l'actualité filmée (1894-1910): l'émergence d'une nouvelle « culture visuelle de l'information »? /  Rodolphe Gahéry7 From Pathé to Paramount: Visual Design in Movie Advertising to 1915 /  Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea /  Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films /  Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films /  Florian Hoof 11 Ruptured Perspectives: The "View," Early Special Effects, and Film History /  Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema /  Jelena Rakin; 13 The Color Image /  Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany /  Jörg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran /  Kaveh Askari 16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities /  Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques /  Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) /  Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema /  Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography /  Charles Wolfe; 21 What is a Fake Image? /  Frank Kessler and Sabine Lenk 22 The Lantern Image between Stage and Screen /  Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films /  Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory /  Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination /  Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films /  Martin L. Johnson; Appendix: Translations 
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<br/><br/><label>ISBN: </label>9780253034427 9780253034403 
<br/><br/><label>LCCN: </label>2018005348 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Motion pictures--Philosophy.<br/>Motion pictures and the arts.<br/>Cinematography.
<br/><br/><label>Index Terms--Genre/Form: </label><br/>Electronic Books.
<br/><br/><label>LC Class. No.: </label>PN1995  / .I434 2018