TY  - BOOK
AU  - Barry,Peter
AU  - Welstead,William
TI  - Extending ecocriticism: crisis, collaboration and challenges in the environmental humanities 
SN  - 9781526107145
AV  - PN98 .E984 2017
PY  - 2017///
CY  - Manchester
PB  - Manchester University Press
KW  - Ecocriticism
KW  - Electronic Books
N1  - 2; Ecocriticism extends its boundaries; Peter Barry and William Welstead --; 'I am not afraid to die': contemporary environmental crisis fiction and the post-theory era; Louise Squire --; Halfway-to-whole things: ecologies of writing and collaboration; Philip Gross --; 'Drawing closer': an ecocritical consideration of collaborative, cross-disciplinary practices of walking, writing, drawing and exhibiting; Harriet Tarlo and Judith Tucker --; ARTlines: three walking artists in Iceland; Patti Lean --; Nature matters: notes on Ackroyd and Harvey, ecocriticism and praxis; Eve Ropek --; The word among stones; Peter Barry --; Two familiar paths well-travelled; John Darwell --; Aesthetics as ecology, or the question of the form of eco-art; Clive Cazeaux --; Signs and sentiment in British wildlife art; William Welstead --; Symphonic pastorals redux; Aaron S. Allen --; Treaty obligations: science and art in Antarctica; Mike Pearson --; On-site natural heritage interpretation: an ecocritical reading; William Welstead --; A seamless image: the role of photomontage in the meaning-making of windfarm development; Jean Welstead; 2; b
N2  - This book takes ecocriticism into new areas that include collaboration across the environmental humanities and into the cultural studies of the human response to the environment. The essays, by both early career and established researchers, are accessible enough to appeal to the general reader, but will be important supplementary reading for undergraduate and post-graduate students in the environmental humanities; This volume of essays explores the scope for a further extension of ecocriticism across the environmental humanities. Contributors, who include both established academics and early career researchers in the humanities, were given free rein to interpret the brief. The collection is unusual in that it considers collaboration between individuals both in the same discipline and across creative disciplines. Subjects include familiar environments close to home and those such as Iceland and Antarctica, where narratives of climate, geology and ecology provide a stark backdrop to creative output. A further innovation is the inclusion of essays on public art, natural heritage interpretation and the visualisation and aesthetic impact of wind farms. The book will be of interest to writers, artists, students and researchers in the environmental humanities and those with a general interest in the cultural response to the environment
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